WEBVTT Kind: Subtitles Language: en 00:00:00.000 --> 00:00:01.829 align:start position:0% Hi<00:00:00.320> I am<00:00:00.480> Ed<00:00:00.640> Thorne<00:00:00.960> here<00:00:01.120> to<00:00:01.280> walk<00:00:01.680> you 00:00:01.829 --> 00:00:01.839 align:start position:0% Hi I am Ed Thorne here to walk you 00:00:01.839 --> 00:00:04.309 align:start position:0% Hi I am Ed Thorne here to walk you through<00:00:02.159> Claro<00:00:02.879> the<00:00:03.040> new<00:00:03.280> eq<00:00:03.679> plugin<00:00:04.080> from Sonnox 00:00:04.309 --> 00:00:04.319 align:start position:0% through claro the new EQ plugin from Sonnox 00:00:04.319 --> 00:00:06.550 align:start position:0% through claro the new EQ plugin from Sonnox Claro<00:00:07.040> is<00:00:07.120> an<00:00:07.279> intuitive<00:00:07.919> eq<00:00:08.400> plugin<00:00:08.720> designed 00:00:09.030 --> 00:00:09.040 align:start position:0% Claro is an intuitive EQ plugin designed 00:00:09.040 --> 00:00:10.950 align:start position:0% Claro is an intuitive EQ plugin designed to<00:00:09.200> help<00:00:09.360> you<00:00:09.519> make<00:00:09.840> informed<00:00:10.320> decisions 00:00:10.950 --> 00:00:10.960 align:start position:0% to help you make informed decisions 00:00:10.960 --> 00:00:12.870 align:start position:0% to help you make informed decisions throughout<00:00:11.360> the<00:00:11.519> music<00:00:11.840> production<00:00:12.320> process 00:00:12.870 --> 00:00:12.880 align:start position:0% throughout the music production process 00:00:12.880 --> 00:00:15.190 align:start position:0% throughout the music production process from<00:00:13.120> composition<00:00:13.759> to<00:00:14.000> final<00:00:14.400> mix<00:00:14.960> whilst 00:00:15.190 --> 00:00:15.200 align:start position:0% from composition to final mix whilst 00:00:15.200 --> 00:00:17.029 align:start position:0% from composition to final mix whilst helping<00:00:15.519> you<00:00:15.759> blend<00:00:16.080> your<00:00:16.240> tracks<00:00:16.640> into<00:00:16.880> a 00:00:17.029 --> 00:00:17.039 align:start position:0% helping you blend your tracks into a 00:00:17.039 --> 00:00:19.670 align:start position:0% helping you blend your tracks into a clean<00:00:17.520> well-balanced<00:00:18.240> mix<00:00:18.960> claro<00:00:19.439> has<00:00:19.520> been 00:00:19.670 --> 00:00:19.680 align:start position:0% clean well-balanced mix claro has been 00:00:19.680 --> 00:00:21.750 align:start position:0% clean well-balanced mix claro has been designed<00:00:20.160> to<00:00:20.240> help<00:00:20.400> you<00:00:20.560> maintain<00:00:21.199> creative 00:00:21.750 --> 00:00:21.760 align:start position:0% designed to help you maintain creative 00:00:21.760 --> 00:00:23.830 align:start position:0% designed to help you maintain creative focus<00:00:22.320> and<00:00:22.560> improve<00:00:22.880> your<00:00:23.119> workflow<00:00:23.600> by 00:00:23.830 --> 00:00:23.840 align:start position:0% focus and improve your workflow by 00:00:23.840 --> 00:00:26.070 align:start position:0% focus and improve your workflow by utilizing<00:00:24.480> three<00:00:24.800> distinct<00:00:25.439> processing 00:00:26.070 --> 00:00:26.080 align:start position:0% utilizing three distinct processing 00:00:26.080 --> 00:00:28.470 align:start position:0% utilizing three distinct processing stages<00:00:26.720> with<00:00:26.960> progressively<00:00:27.599> more<00:00:27.920> in-depth 00:00:28.470 --> 00:00:28.480 align:start position:0% stages with progressively more in-depth 00:00:28.480 --> 00:00:30.870 align:start position:0% stages with progressively more in-depth functionality<00:00:29.359> and<00:00:29.519> precision<00:00:30.240> as<00:00:30.480> you<00:00:30.640> need 00:00:30.870 --> 00:00:30.880 align:start position:0% functionality and precision as you need 00:00:30.880 --> 00:00:32.870 align:start position:0% functionality and precision as you need it<00:00:31.279> this<00:00:31.439> plugin<00:00:31.840> has<00:00:32.000> been<00:00:32.160> designed<00:00:32.559> to<00:00:32.719> be 00:00:32.870 --> 00:00:32.880 align:start position:0% it this plugin has been designed to be 00:00:32.880 --> 00:00:34.870 align:start position:0% it this plugin has been designed to be used<00:00:33.120> from<00:00:33.280> the<00:00:33.440> start<00:00:33.760> of<00:00:33.920> a<00:00:34.000> production<00:00:34.640> all 00:00:34.870 --> 00:00:34.880 align:start position:0% used from the start of a production all 00:00:34.880 --> 00:00:36.709 align:start position:0% used from the start of a production all the<00:00:35.040> way<00:00:35.280> to<00:00:35.440> the<00:00:35.600> end<00:00:36.160> at<00:00:36.239> the<00:00:36.399> beginning 00:00:36.709 --> 00:00:36.719 align:start position:0% the way to the end at the beginning 00:00:36.719 --> 00:00:39.030 align:start position:0% the way to the end at the beginning we're<00:00:36.960> just<00:00:37.200> sculpting<00:00:38.000> out<00:00:38.160> the<00:00:38.320> rough<00:00:38.640> sound 00:00:39.030 --> 00:00:39.040 align:start position:0% we're just sculpting out the rough sound 00:00:39.040 --> 00:00:40.869 align:start position:0% we're just sculpting out the rough sound of<00:00:39.120> the<00:00:39.360> mix<00:00:39.920> in<00:00:40.000> the<00:00:40.079> middle<00:00:40.399> section<00:00:40.719> we're 00:00:40.869 --> 00:00:40.879 align:start position:0% of the mix in the middle section we're 00:00:40.879 --> 00:00:43.350 align:start position:0% of the mix in the middle section we're going<00:00:41.120> into<00:00:41.440> more<00:00:41.840> refined<00:00:42.399> details<00:00:43.040> and<00:00:43.200> in 00:00:43.350 --> 00:00:43.360 align:start position:0% going into more refined details and in 00:00:43.360 --> 00:00:44.869 align:start position:0% going into more refined details and in the<00:00:43.520> last<00:00:43.840> part<00:00:44.000> of<00:00:44.079> the<00:00:44.239> plugin<00:00:44.640> we're<00:00:44.800> going 00:00:44.869 --> 00:00:44.879 align:start position:0% the last part of the plugin we're going 00:00:44.879 --> 00:00:47.510 align:start position:0% the last part of the plugin we're going to<00:00:44.960> be<00:00:45.120> able<00:00:45.280> to<00:00:45.600> really<00:00:46.000> execute<00:00:46.480> those<00:00:46.800> tiny 00:00:47.510 --> 00:00:47.520 align:start position:0% to be able to really execute those tiny 00:00:47.520 --> 00:00:49.750 align:start position:0% to be able to really execute those tiny little<00:00:47.840> details<00:00:48.399> that<00:00:48.640> really<00:00:49.280> if<00:00:49.440> we<00:00:49.600> pay 00:00:49.750 --> 00:00:49.760 align:start position:0% little details that really if we pay 00:00:49.760 --> 00:00:51.430 align:start position:0% little details that really if we pay attention<00:00:50.160> to<00:00:50.320> those<00:00:50.559> will<00:00:50.800> really<00:00:51.039> set<00:00:51.280> your 00:00:51.430 --> 00:00:51.440 align:start position:0% attention to those will really set your 00:00:51.440 --> 00:00:52.869 align:start position:0% attention to those will really set your mix<00:00:51.680> apart 00:00:52.869 --> 00:00:52.879 align:start position:0% mix apart 00:00:52.879 --> 00:00:55.670 align:start position:0% mix apart the<00:00:53.039> plugin<00:00:53.440> consists<00:00:53.920> of<00:00:54.320> three<00:00:54.800> views<00:00:55.520> the 00:00:55.670 --> 00:00:55.680 align:start position:0% the plugin consists of three views the 00:00:55.680 --> 00:00:57.430 align:start position:0% the plugin consists of three views the produce<00:00:56.079> view<00:00:56.320> is<00:00:56.480> geared<00:00:56.719> towards<00:00:57.120> broad 00:00:57.430 --> 00:00:57.440 align:start position:0% produce view is geared towards broad 00:00:57.440 --> 00:00:59.990 align:start position:0% produce view is geared towards broad strokes<00:00:57.920> eq<00:00:58.399> to<00:00:58.559> get<00:00:58.719> the<00:00:58.879> general<00:00:59.359> tone<00:00:59.760> you 00:00:59.990 --> 00:01:00.000 align:start position:0% strokes eq to get the general tone you 00:01:00.000 --> 00:01:02.150 align:start position:0% strokes eq to get the general tone you desire<00:01:00.640> for<00:01:00.800> an<00:01:00.960> enjoyable<00:01:01.600> recording 00:01:02.150 --> 00:01:02.160 align:start position:0% desire for an enjoyable recording 00:01:02.160 --> 00:01:03.990 align:start position:0% desire for an enjoyable recording experience<00:01:02.960> whilst<00:01:03.280> encouraging<00:01:03.760> you<00:01:03.840> to 00:01:03.990 --> 00:01:04.000 align:start position:0% experience whilst encouraging you to 00:01:04.000 --> 00:01:05.750 align:start position:0% experience whilst encouraging you to quickly<00:01:04.400> move<00:01:04.640> on<00:01:04.799> to<00:01:04.960> the<00:01:05.040> next<00:01:05.280> stage<00:01:05.680> in 00:01:05.750 --> 00:01:05.760 align:start position:0% quickly move on to the next stage in 00:01:05.760 --> 00:01:07.109 align:start position:0% quickly move on to the next stage in your<00:01:06.000> production 00:01:07.109 --> 00:01:07.119 align:start position:0% your production 00:01:07.119 --> 00:01:09.350 align:start position:0% your production the<00:01:07.280> tweak<00:01:07.600> view<00:01:07.840> incorporates<00:01:08.640> a<00:01:08.799> spectral 00:01:09.350 --> 00:01:09.360 align:start position:0% the tweak view incorporates a spectral 00:01:09.360 --> 00:01:11.109 align:start position:0% the tweak view incorporates a spectral analyzer<00:01:10.000> providing<00:01:10.479> further<00:01:10.799> visual 00:01:11.109 --> 00:01:11.119 align:start position:0% analyzer providing further visual 00:01:11.119 --> 00:01:12.789 align:start position:0% analyzer providing further visual reference<00:01:11.520> to<00:01:11.680> aid<00:01:12.000> your<00:01:12.240> processing 00:01:12.789 --> 00:01:12.799 align:start position:0% reference to aid your processing 00:01:12.799 --> 00:01:15.590 align:start position:0% reference to aid your processing decisions<00:01:13.840> this<00:01:14.000> week<00:01:14.240> also<00:01:14.640> hosts<00:01:14.960> a<00:01:15.119> series 00:01:15.590 --> 00:01:15.600 align:start position:0% decisions this week also hosts a series 00:01:15.600 --> 00:01:18.310 align:start position:0% decisions this week also hosts a series of<00:01:15.840> professional<00:01:16.479> studio<00:01:16.960> standard<00:01:17.360> eq<00:01:17.840> tools 00:01:18.310 --> 00:01:18.320 align:start position:0% of professional studio standard eq tools 00:01:18.320 --> 00:01:20.550 align:start position:0% of professional studio standard eq tools for<00:01:18.479> more<00:01:18.720> precise<00:01:19.360> processing<00:01:20.000> further<00:01:20.320> into 00:01:20.550 --> 00:01:20.560 align:start position:0% for more precise processing further into 00:01:20.560 --> 00:01:22.950 align:start position:0% for more precise processing further into the<00:01:20.640> mix<00:01:20.960> process<00:01:21.759> the<00:01:21.840> mixview<00:01:22.400> enables<00:01:22.799> you 00:01:22.950 --> 00:01:22.960 align:start position:0% the mix process the mixview enables you 00:01:22.960 --> 00:01:25.109 align:start position:0% the mix process the mixview enables you to<00:01:23.200> explore<00:01:23.680> the<00:01:23.759> interaction<00:01:24.320> and<00:01:24.560> frequency 00:01:25.109 --> 00:01:25.119 align:start position:0% to explore the interaction and frequency 00:01:25.119 --> 00:01:27.670 align:start position:0% to explore the interaction and frequency collisions<00:01:25.600> between<00:01:26.159> tracks<00:01:26.960> with<00:01:27.360> visual 00:01:27.670 --> 00:01:27.680 align:start position:0% collisions between tracks with visual 00:01:27.680 --> 00:01:29.190 align:start position:0% collisions between tracks with visual aids<00:01:28.000> to<00:01:28.080> help<00:01:28.240> you<00:01:28.400> understand<00:01:28.880> where 00:01:29.190 --> 00:01:29.200 align:start position:0% aids to help you understand where 00:01:29.200 --> 00:01:31.270 align:start position:0% aids to help you understand where frequencies<00:01:29.840> and<00:01:30.000> resonance<00:01:30.479> are<00:01:30.720> competing 00:01:31.270 --> 00:01:31.280 align:start position:0% frequencies and resonance are competing 00:01:31.280 --> 00:01:33.270 align:start position:0% frequencies and resonance are competing against<00:01:31.759> each<00:01:31.920> other<00:01:32.159> in<00:01:32.240> your<00:01:32.479> mix<00:01:33.040> we'll 00:01:33.270 --> 00:01:33.280 align:start position:0% against each other in your mix we'll 00:01:33.280 --> 00:01:35.030 align:start position:0% against each other in your mix we'll explore<00:01:33.600> these<00:01:33.759> elements<00:01:34.159> in<00:01:34.240> more<00:01:34.479> detail 00:01:35.030 --> 00:01:35.040 align:start position:0% explore these elements in more detail 00:01:35.040 --> 00:01:36.550 align:start position:0% explore these elements in more detail shortly<00:01:35.360> but<00:01:35.520> already<00:01:35.840> you<00:01:35.920> can<00:01:36.159> see<00:01:36.320> there's 00:01:36.550 --> 00:01:36.560 align:start position:0% shortly but already you can see there's 00:01:36.560 --> 00:01:38.630 align:start position:0% shortly but already you can see there's a<00:01:36.720> lot<00:01:36.960> of<00:01:37.200> tools<00:01:37.680> in<00:01:37.759> this<00:01:38.000> plugin<00:01:38.400> they've 00:01:38.630 --> 00:01:38.640 align:start position:0% a lot of tools in this plugin they've 00:01:38.640 --> 00:01:40.310 align:start position:0% a lot of tools in this plugin they've really<00:01:38.880> packed<00:01:39.200> a<00:01:39.360> lot<00:01:39.520> of<00:01:39.600> features<00:01:40.079> into 00:01:40.310 --> 00:01:40.320 align:start position:0% really packed a lot of features into 00:01:40.320 --> 00:01:41.030 align:start position:0% really packed a lot of features into this 00:01:41.030 --> 00:01:41.040 align:start position:0% this 00:01:41.040 --> 00:01:43.590 align:start position:0% this clara<00:01:41.520> also<00:01:41.759> features<00:01:42.159> auto-gain<00:01:42.880> like<00:01:43.360> no 00:01:43.590 --> 00:01:43.600 align:start position:0% clara also features auto-gain like no 00:01:43.600 --> 00:01:45.910 align:start position:0% clara also features auto-gain like no other<00:01:44.240> instead<00:01:44.560> of<00:01:44.720> compensating<00:01:45.360> the<00:01:45.520> output 00:01:45.910 --> 00:01:45.920 align:start position:0% other instead of compensating the output 00:01:45.920 --> 00:01:48.230 align:start position:0% other instead of compensating the output against<00:01:46.320> a<00:01:46.479> default<00:01:47.040> pink<00:01:47.360> noise<00:01:47.680> curve<00:01:48.000> like 00:01:48.230 --> 00:01:48.240 align:start position:0% against a default pink noise curve like 00:01:48.240 --> 00:01:49.990 align:start position:0% against a default pink noise curve like some<00:01:48.479> other<00:01:48.640> plugins<00:01:49.200> claro<00:01:49.680> actually 00:01:49.990 --> 00:01:50.000 align:start position:0% some other plugins claro actually 00:01:50.000 --> 00:01:51.910 align:start position:0% some other plugins claro actually considers<00:01:50.479> the<00:01:50.720> tonal<00:01:51.119> signature<00:01:51.680> of<00:01:51.759> the 00:01:51.910 --> 00:01:51.920 align:start position:0% considers the tonal signature of the 00:01:51.920 --> 00:01:54.469 align:start position:0% considers the tonal signature of the track<00:01:52.479> your<00:01:52.720> track<00:01:53.040> will<00:01:53.200> maintain<00:01:53.759> its<00:01:54.000> level 00:01:54.469 --> 00:01:54.479 align:start position:0% track your track will maintain its level 00:01:54.479 --> 00:01:56.149 align:start position:0% track your track will maintain its level regardless<00:01:55.040> of<00:01:55.119> whether<00:01:55.360> you're<00:01:55.520> cutting<00:01:55.920> or 00:01:56.149 --> 00:01:56.159 align:start position:0% regardless of whether you're cutting or 00:01:56.159 --> 00:01:58.709 align:start position:0% regardless of whether you're cutting or boosting<00:01:56.640> frequencies<00:01:57.439> on<00:01:57.680> dark<00:01:58.159> bright<00:01:58.560> or 00:01:58.709 --> 00:01:58.719 align:start position:0% boosting frequencies on dark bright or 00:01:58.719 --> 00:02:01.030 align:start position:0% boosting frequencies on dark bright or full<00:01:58.960> range<00:01:59.280> frequency<00:01:59.840> signals<00:02:00.719> you<00:02:00.880> can 00:02:01.030 --> 00:02:01.040 align:start position:0% full range frequency signals you can 00:02:01.040 --> 00:02:02.709 align:start position:0% full range frequency signals you can turn<00:02:01.200> this<00:02:01.360> feature<00:02:01.680> off<00:02:01.920> at<00:02:02.079> any<00:02:02.320> time<00:02:02.560> and 00:02:02.709 --> 00:02:02.719 align:start position:0% turn this feature off at any time and 00:02:02.719 --> 00:02:04.709 align:start position:0% turn this feature off at any time and also<00:02:03.040> freeze<00:02:03.520> the<00:02:03.680> auto<00:02:04.000> gain<00:02:04.320> which<00:02:04.560> is 00:02:04.709 --> 00:02:04.719 align:start position:0% also freeze the auto gain which is 00:02:04.719 --> 00:02:06.709 align:start position:0% also freeze the auto gain which is particularly<00:02:05.280> useful<00:02:05.759> if<00:02:05.840> you're<00:02:06.079> automating 00:02:06.709 --> 00:02:06.719 align:start position:0% particularly useful if you're automating 00:02:06.719 --> 00:02:09.109 align:start position:0% particularly useful if you're automating things<00:02:06.960> like<00:02:07.200> filter<00:02:07.520> sweeps<00:02:08.319> claro<00:02:08.800> boasts 00:02:09.109 --> 00:02:09.119 align:start position:0% things like filter sweeps claro boasts 00:02:09.119 --> 00:02:12.470 align:start position:0% things like filter sweeps claro boasts advanced<00:02:09.599> mono<00:02:10.160> left<00:02:10.560> right<00:02:11.039> stereo<00:02:11.680> mid<00:02:12.160> and 00:02:12.470 --> 00:02:12.480 align:start position:0% advanced mono left right stereo mid and 00:02:12.480 --> 00:02:14.630 align:start position:0% advanced mono left right stereo mid and side<00:02:12.800> only<00:02:13.040> filtering<00:02:13.599> options<00:02:14.000> as<00:02:14.160> well<00:02:14.319> as<00:02:14.480> a 00:02:14.630 --> 00:02:14.640 align:start position:0% side only filtering options as well as a 00:02:14.640 --> 00:02:16.869 align:start position:0% side only filtering options as well as a width<00:02:14.959> view<00:02:15.440> to<00:02:15.599> quickly<00:02:16.000> create<00:02:16.319> space<00:02:16.720> while 00:02:16.869 --> 00:02:16.879 align:start position:0% width view to quickly create space while 00:02:16.879 --> 00:02:18.710 align:start position:0% width view to quickly create space while you're<00:02:17.120> in<00:02:17.200> the<00:02:17.360> composition<00:02:18.000> production<00:02:18.560> or 00:02:18.710 --> 00:02:18.720 align:start position:0% you're in the composition production or 00:02:18.720 --> 00:02:21.190 align:start position:0% you're in the composition production or early<00:02:19.040> stages<00:02:19.520> of<00:02:19.680> the<00:02:19.760> mix<00:02:20.400> the<00:02:20.560> final<00:02:20.959> tool 00:02:21.190 --> 00:02:21.200 align:start position:0% early stages of the mix the final tool 00:02:21.200 --> 00:02:22.869 align:start position:0% early stages of the mix the final tool in<00:02:21.280> claro's<00:02:21.760> powerful<00:02:22.239> arsenal<00:02:22.640> is<00:02:22.800> a 00:02:22.869 --> 00:02:22.879 align:start position:0% in claro's powerful arsenal is a 00:02:22.879 --> 00:02:25.350 align:start position:0% in claro's powerful arsenal is a multi-track<00:02:23.680> workspace<00:02:24.560> where<00:02:24.800> multiple 00:02:25.350 --> 00:02:25.360 align:start position:0% multi-track workspace where multiple 00:02:25.360 --> 00:02:27.190 align:start position:0% multi-track workspace where multiple instances<00:02:25.920> of<00:02:26.000> the<00:02:26.160> plug-in<00:02:26.560> on<00:02:26.720> different 00:02:27.190 --> 00:02:27.200 align:start position:0% instances of the plug-in on different 00:02:27.200 --> 00:02:29.270 align:start position:0% instances of the plug-in on different channels<00:02:27.680> communicate<00:02:28.319> with<00:02:28.480> each<00:02:28.720> other<00:02:29.120> to 00:02:29.270 --> 00:02:29.280 align:start position:0% channels communicate with each other to 00:02:29.280 --> 00:02:31.110 align:start position:0% channels communicate with each other to help<00:02:29.440> you<00:02:29.680> visualize<00:02:30.160> how<00:02:30.400> your<00:02:30.640> audio 00:02:31.110 --> 00:02:31.120 align:start position:0% help you visualize how your audio 00:02:31.120 --> 00:02:33.509 align:start position:0% help you visualize how your audio channels<00:02:31.519> are<00:02:31.760> interacting<00:02:32.720> in<00:02:32.800> the<00:02:32.959> context 00:02:33.509 --> 00:02:33.519 align:start position:0% channels are interacting in the context 00:02:33.519 --> 00:02:35.670 align:start position:0% channels are interacting in the context of<00:02:33.680> a<00:02:33.760> full<00:02:34.000> mix<00:02:34.400> to<00:02:34.560> help<00:02:34.720> you<00:02:34.800> make<00:02:35.040> even<00:02:35.440> more 00:02:35.670 --> 00:02:35.680 align:start position:0% of a full mix to help you make even more 00:02:35.680 --> 00:02:37.990 align:start position:0% of a full mix to help you make even more refined<00:02:36.319> processing<00:02:36.879> decisions 00:02:37.990 --> 00:02:38.000 align:start position:0% refined processing decisions 00:02:38.000 --> 00:02:39.589 align:start position:0% refined processing decisions so<00:02:38.160> let's<00:02:38.319> take<00:02:38.560> a<00:02:38.640> closer<00:02:38.959> look<00:02:39.200> at<00:02:39.360> these 00:02:39.589 --> 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position:0% desired tonal shaping quickly and effectively<00:02:46.400> without<00:02:46.800> getting<00:02:47.120> bogged<00:02:47.440> down 00:02:47.670 --> 00:02:47.680 align:start position:0% effectively without getting bogged down 00:02:47.680 --> 00:02:50.470 align:start position:0% effectively without getting bogged down in<00:02:47.920> precise<00:02:48.640> mixing<00:02:49.440> sonox<00:02:49.920> wants<00:02:50.160> you<00:02:50.319> to 00:02:50.470 --> 00:02:50.480 align:start position:0% in precise mixing sonox wants you to 00:02:50.480 --> 00:02:53.030 align:start position:0% in precise mixing sonox wants you to retain<00:02:50.959> focus<00:02:51.360> on<00:02:51.519> the<00:02:51.680> creative<00:02:52.319> process<00:02:52.959> i 00:02:53.030 --> 00:02:53.040 align:start position:0% retain focus on the creative process i 00:02:53.040 --> 00:02:54.869 align:start position:0% retain focus on the creative process i remember<00:02:53.360> when<00:02:53.519> i<00:02:53.680> started<00:02:54.319> recording<00:02:54.800> and 00:02:54.869 --> 00:02:54.879 align:start position:0% remember when i started recording and 00:02:54.879 --> 00:02:57.350 align:start position:0% remember when i started recording and mixing<00:02:55.280> i'd<00:02:55.519> dive<00:02:55.840> into<00:02:56.160> the<00:02:56.319> eq<00:02:56.720> and<00:02:56.879> focus<00:02:57.200> on 00:02:57.350 --> 00:02:57.360 align:start position:0% mixing i'd dive into the eq and focus on 00:02:57.360 --> 00:03:00.390 align:start position:0% mixing i'd dive into the eq and focus on tiny<00:02:58.080> little<00:02:58.400> details<00:02:59.280> make<00:02:59.599> big<00:02:59.840> notches<00:03:00.319> and 00:03:00.390 --> 00:03:00.400 align:start position:0% tiny little details make big notches and 00:03:00.400 --> 00:03:02.149 align:start position:0% tiny little details make big notches and stuff<00:03:00.640> which<00:03:00.800> would<00:03:00.959> ultimately<00:03:01.440> result<00:03:01.840> in<00:03:02.000> a 00:03:02.149 --> 00:03:02.159 align:start position:0% stuff which would ultimately result in a 00:03:02.159 --> 00:03:04.390 align:start position:0% stuff which would ultimately result in a thin<00:03:02.560> sound<00:03:03.040> but<00:03:03.280> more<00:03:03.519> importantly<00:03:04.000> i<00:03:04.159> was 00:03:04.390 --> 00:03:04.400 align:start position:0% thin sound but more importantly i was 00:03:04.400 --> 00:03:06.790 align:start position:0% thin sound but more importantly i was losing<00:03:04.879> focus<00:03:05.280> of<00:03:05.360> the<00:03:05.519> bigger<00:03:05.920> picture<00:03:06.560> and 00:03:06.790 --> 00:03:06.800 align:start position:0% losing focus of the bigger picture and 00:03:06.800 --> 00:03:08.630 align:start position:0% losing focus of the bigger picture and not<00:03:06.959> plowing<00:03:07.360> on<00:03:07.519> with<00:03:07.680> the<00:03:07.760> recording<00:03:08.480> with 00:03:08.630 --> 00:03:08.640 align:start position:0% not plowing on with the recording with 00:03:08.640 --> 00:03:10.630 align:start position:0% not plowing on with the recording with this<00:03:08.879> in<00:03:08.959> mind<00:03:09.280> a<00:03:09.360> purposefully<00:03:09.920> limited<00:03:10.400> set 00:03:10.630 --> 00:03:10.640 align:start position:0% this in mind a purposefully limited set 00:03:10.640 --> 00:03:13.270 align:start position:0% this in mind a purposefully limited set of<00:03:10.800> three<00:03:11.040> eq<00:03:11.519> filters<00:03:12.000> provide<00:03:12.400> broad<00:03:12.800> tonal 00:03:13.270 --> 00:03:13.280 align:start position:0% of three eq filters provide broad tonal 00:03:13.280 --> 00:03:15.830 align:start position:0% of three eq filters provide broad tonal shaping<00:03:13.920> as<00:03:14.000> well<00:03:14.159> as<00:03:14.319> a<00:03:14.480> high<00:03:14.720> and<00:03:14.959> low<00:03:15.280> cut 00:03:15.830 --> 00:03:15.840 align:start position:0% shaping as well as a high and low cut 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inspired<00:03:22.480> by<00:03:22.800> various<00:03:23.200> popular<00:03:23.599> analog<00:03:24.159> eqs 00:03:24.710 --> 00:03:24.720 align:start position:0% inspired by various popular analog eqs 00:03:24.720 --> 00:03:26.550 align:start position:0% inspired by various popular analog eqs and<00:03:24.879> offer<00:03:25.120> frequently<00:03:25.680> used<00:03:26.080> starting 00:03:26.550 --> 00:03:26.560 align:start position:0% and offer frequently used starting 00:03:26.560 --> 00:03:29.030 align:start position:0% and offer frequently used starting points<00:03:27.280> simply<00:03:27.599> select<00:03:28.000> one<00:03:28.400> then<00:03:28.640> click<00:03:28.959> and 00:03:29.030 --> 00:03:29.040 align:start position:0% points simply select one then click and 00:03:29.040 --> 00:03:30.710 align:start position:0% points simply select one then click and drag<00:03:29.360> the<00:03:29.519> cursor<00:03:29.920> for<00:03:30.080> additive<00:03:30.560> or 00:03:30.710 --> 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fine-tune<00:03:37.200> the<00:03:37.360> filter<00:03:37.680> parameters 00:03:39.350 --> 00:03:39.360 align:start position:0% further fine-tune the filter parameters 00:03:39.360 --> 00:03:41.110 align:start position:0% further fine-tune the filter parameters above<00:03:39.599> this<00:03:39.760> horizontal<00:03:40.400> line<00:03:40.640> you'll<00:03:40.799> notice 00:03:41.110 --> 00:03:41.120 align:start position:0% above this horizontal line you'll notice 00:03:41.120 --> 00:03:42.949 align:start position:0% above this horizontal line you'll notice combinations<00:03:41.760> of<00:03:41.920> descriptive<00:03:42.560> words<00:03:42.879> to 00:03:42.949 --> 00:03:42.959 align:start position:0% combinations of descriptive words to 00:03:42.959 --> 00:03:45.430 align:start position:0% combinations of descriptive words to help<00:03:43.200> you<00:03:43.440> identify<00:03:44.239> tonal<00:03:44.720> elements<00:03:45.120> of<00:03:45.200> your 00:03:45.430 --> 00:03:45.440 align:start position:0% help you identify tonal elements of your 00:03:45.440 --> 00:03:47.270 align:start position:0% help you identify tonal elements of your audio<00:03:46.080> and<00:03:46.239> where<00:03:46.400> these<00:03:46.640> occur<00:03:47.040> in<00:03:47.120> the 00:03:47.270 --> 00:03:47.280 align:start position:0% audio and where these occur in the 00:03:47.280 --> 00:03:49.589 align:start position:0% audio and where these occur in the frequency<00:03:47.920> spectrum<00:03:48.879> if<00:03:48.959> you're<00:03:49.200> new<00:03:49.360> to 00:03:49.589 --> 00:03:49.599 align:start position:0% frequency spectrum if you're new to 00:03:49.599 --> 00:03:51.830 align:start position:0% frequency spectrum if you're new to music<00:03:49.920> production<00:03:50.480> this<00:03:50.640> is<00:03:50.799> a<00:03:50.879> fantastic<00:03:51.599> way 00:03:51.830 --> 00:03:51.840 align:start position:0% music production this is a fantastic way 00:03:51.840 --> 00:03:54.149 align:start position:0% music production this is a fantastic way of<00:03:52.080> improving<00:03:52.480> your<00:03:52.720> eq<00:03:53.200> intuition<00:03:53.840> without 00:03:54.149 --> 00:03:54.159 align:start position:0% of improving your eq intuition without 00:03:54.159 --> 00:03:56.789 align:start position:0% of improving your eq intuition without having<00:03:54.400> to<00:03:54.560> rely<00:03:54.959> on<00:03:55.280> complex<00:03:55.840> terminology 00:03:56.789 --> 00:03:56.799 align:start position:0% having to rely on complex terminology 00:03:56.799 --> 00:03:58.630 align:start position:0% having to rely on complex terminology but<00:03:56.959> even<00:03:57.120> if<00:03:57.200> you're<00:03:57.439> an<00:03:57.599> experienced<00:03:58.319> audio 00:03:58.630 --> 00:03:58.640 align:start position:0% but even if you're an experienced audio 00:03:58.640 --> 00:04:00.470 align:start position:0% but even if you're an experienced audio engineer<00:03:59.120> these<00:03:59.280> are<00:03:59.519> really<00:03:59.840> helpful<00:04:00.319> when 00:04:00.470 --> 00:04:00.480 align:start position:0% engineer these are really helpful when 00:04:00.480 --> 00:04:02.149 align:start position:0% engineer these are really helpful when you're<00:04:00.640> in<00:04:00.799> the<00:04:00.879> creative<00:04:01.360> mindset<00:04:01.920> or 00:04:02.149 --> 00:04:02.159 align:start position:0% you're in the creative mindset or 00:04:02.159 --> 00:04:04.789 align:start position:0% you're in the creative mindset or communicating<00:04:02.879> with<00:04:03.120> clients<00:04:03.920> for<00:04:04.159> example 00:04:04.789 --> 00:04:04.799 align:start position:0% communicating with clients for example 00:04:04.799 --> 00:04:07.509 align:start position:0% communicating with clients for example if<00:04:04.959> i<00:04:05.120> say<00:04:05.519> the<00:04:05.680> bass<00:04:05.920> at<00:04:06.000> 180<00:04:06.720> hertz<00:04:07.040> is<00:04:07.200> too 00:04:07.509 --> 00:04:07.519 align:start position:0% if i say the bass at 180 hertz is too 00:04:07.519 --> 00:04:09.190 align:start position:0% if i say the bass at 180 hertz is too prominent<00:04:08.400> not<00:04:08.640> everyone's<00:04:08.959> going<00:04:09.040> to 00:04:09.190 --> 00:04:09.200 align:start position:0% prominent not everyone's going to 00:04:09.200 --> 00:04:10.869 align:start position:0% prominent not everyone's going to understand<00:04:09.599> that<00:04:09.760> but<00:04:09.920> if<00:04:10.080> you<00:04:10.239> say<00:04:10.560> oh<00:04:10.720> it 00:04:10.869 --> 00:04:10.879 align:start position:0% understand that but if you say oh it 00:04:10.879 --> 00:04:12.630 align:start position:0% understand that but if you say oh it sounds<00:04:11.120> a<00:04:11.200> bit<00:04:11.360> muddy<00:04:11.760> or<00:04:11.840> the<00:04:12.000> client<00:04:12.239> says<00:04:12.480> it 00:04:12.630 --> 00:04:12.640 align:start position:0% sounds a bit muddy or the client says it 00:04:12.640 --> 00:04:14.470 align:start position:0% sounds a bit muddy or the client says it sounds<00:04:12.879> a<00:04:12.959> bit<00:04:13.120> muddy<00:04:13.680> that's<00:04:13.920> where<00:04:14.080> you<00:04:14.239> can 00:04:14.470 --> 00:04:14.480 align:start position:0% sounds a bit muddy that's where you can 00:04:14.480 --> 00:04:16.469 align:start position:0% sounds a bit muddy that's where you can use<00:04:14.799> this<00:04:15.040> graph<00:04:15.360> and<00:04:15.519> use<00:04:15.760> these<00:04:16.000> words<00:04:16.320> to 00:04:16.469 --> 00:04:16.479 align:start position:0% use this graph and use these words to 00:04:16.479 --> 00:04:18.789 align:start position:0% use this graph and use these words to isolate<00:04:17.040> exactly<00:04:17.759> what<00:04:17.919> you<00:04:18.000> need<00:04:18.160> to<00:04:18.400> adapt 00:04:18.789 --> 00:04:18.799 align:start position:0% isolate exactly what you need to adapt 00:04:18.799 --> 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adds warmth but too much and it<00:04:25.840> clutters<00:04:26.320> and<00:04:26.560> muddies<00:04:26.960> the<00:04:27.120> mix<00:04:27.680> and<00:04:27.840> if 00:04:27.990 --> 00:04:28.000 align:start position:0% it clutters and muddies the mix and if 00:04:28.000 --> 00:04:29.909 align:start position:0% it clutters and muddies the mix and if we<00:04:28.160> try<00:04:28.479> cutting<00:04:28.960> this<00:04:29.199> region<00:04:29.520> you'll<00:04:29.680> hear<00:04:29.840> a 00:04:29.909 --> 00:04:29.919 align:start position:0% we try cutting this region you'll hear a 00:04:29.919 --> 00:04:31.749 align:start position:0% we try cutting this region you'll hear a lot<00:04:30.080> of<00:04:30.160> the<00:04:30.320> muddy<00:04:30.639> confusion<00:04:31.280> is<00:04:31.440> cleared 00:04:31.749 --> 00:04:31.759 align:start position:0% lot of the muddy confusion is cleared 00:04:31.759 --> 00:04:35.740 align:start position:0% lot of the muddy confusion is cleared out<00:04:31.840> of<00:04:31.919> the<00:04:32.000> mix 00:04:35.740 --> 00:04:35.750 align:start position:0% 00:04:35.750 --> 00:04:38.850 align:start position:0% [Music] 00:04:38.850 --> 00:04:38.860 align:start position:0% [Music] 00:04:38.860 --> 00:04:39.240 align:start position:0% [Music] [Applause] 00:04:39.240 --> 00:04:39.250 align:start position:0% [Applause] 00:04:39.250 --> 00:04:47.950 align:start position:0% [Applause] [Music] 00:04:47.950 --> 00:04:47.960 align:start position:0% [Music] 00:04:47.960 --> 00:04:48.580 align:start position:0% [Music] [Applause] 00:04:48.580 --> 00:04:48.590 align:start position:0% [Applause] 00:04:48.590 --> 00:05:01.590 align:start position:0% [Applause] [Music] 00:05:01.590 --> 00:05:01.600 align:start position:0% 00:05:01.600 --> 00:05:03.350 align:start position:0% the<00:05:01.759> shelf<00:05:02.080> tabs<00:05:02.320> toggle<00:05:02.639> between<00:05:02.960> high<00:05:03.199> and 00:05:03.350 --> 00:05:03.360 align:start position:0% the shelf tabs toggle between high and 00:05:03.360 --> 00:05:05.749 align:start position:0% the shelf tabs toggle between high and low<00:05:03.680> processors<00:05:04.320> being<00:05:04.639> set<00:05:04.880> to<00:05:05.039> bell<00:05:05.360> filters 00:05:05.749 --> 00:05:05.759 align:start position:0% low processors being set to bell filters 00:05:05.759 --> 00:05:08.310 align:start position:0% low processors being set to bell filters or<00:05:06.080> shelves<00:05:06.880> these<00:05:07.120> shelves<00:05:07.440> sound<00:05:07.840> super 00:05:08.310 --> 00:05:08.320 align:start position:0% or shelves these shelves sound super 00:05:08.320 --> 00:05:10.310 align:start position:0% or shelves these shelves sound super musical<00:05:09.120> very<00:05:09.360> clean<00:05:09.759> and<00:05:09.919> great<00:05:10.160> for 00:05:10.310 --> 00:05:10.320 align:start position:0% musical very clean and great for 00:05:10.320 --> 00:05:12.390 align:start position:0% musical very clean and great for cleaning<00:05:10.639> up<00:05:10.800> muddiness<00:05:11.280> or<00:05:11.520> harshness<00:05:12.160> while 00:05:12.390 --> 00:05:12.400 align:start position:0% cleaning up muddiness or harshness while 00:05:12.400 --> 00:05:13.990 align:start position:0% cleaning up muddiness or harshness while adding<00:05:12.720> low<00:05:12.960> end<00:05:13.199> weight<00:05:13.520> or<00:05:13.759> air 00:05:13.990 --> 00:05:14.000 align:start position:0% adding low end weight or air 00:05:14.000 --> 00:05:15.270 align:start position:0% adding low end weight or air respectively 00:05:15.270 --> 00:05:15.280 align:start position:0% respectively 00:05:15.280 --> 00:05:17.430 align:start position:0% respectively on<00:05:15.520> stereo<00:05:16.000> tracks<00:05:16.320> a<00:05:16.400> tone<00:05:16.720> slash<00:05:17.120> width 00:05:17.430 --> 00:05:17.440 align:start position:0% on stereo tracks a tone slash width 00:05:17.440 --> 00:05:19.430 align:start position:0% on stereo tracks a tone slash width button<00:05:17.759> appears<00:05:18.160> in<00:05:18.240> the<00:05:18.400> plug-in<00:05:18.800> footer 00:05:19.430 --> 00:05:19.440 align:start position:0% button appears in the plug-in footer 00:05:19.440 --> 00:05:21.110 align:start position:0% button appears in the plug-in footer toggle<00:05:19.759> it<00:05:19.840> to<00:05:20.000> switch<00:05:20.320> between<00:05:20.720> overall 00:05:21.110 --> 00:05:21.120 align:start position:0% toggle it to switch between overall 00:05:21.120 --> 00:05:23.510 align:start position:0% toggle it to switch between overall stereo<00:05:21.680> tone<00:05:22.000> shaping<00:05:22.479> and<00:05:22.639> stereo<00:05:23.120> width 00:05:23.510 --> 00:05:23.520 align:start position:0% stereo tone shaping and stereo width 00:05:23.520 --> 00:05:24.469 align:start position:0% stereo tone shaping and stereo width shaping 00:05:24.469 --> 00:05:24.479 align:start position:0% shaping 00:05:24.479 --> 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align:start position:0% brighter sections display prominent 00:05:32.560 --> 00:05:34.469 align:start position:0% brighter sections display prominent frequency<00:05:33.120> ranges<00:05:33.520> and<00:05:33.600> the<00:05:33.759> darker<00:05:34.160> areas 00:05:34.469 --> 00:05:34.479 align:start position:0% frequency ranges and the darker areas 00:05:34.479 --> 00:05:37.189 align:start position:0% frequency ranges and the darker areas represent<00:05:35.039> little<00:05:35.360> or<00:05:35.600> no<00:05:35.840> sound<00:05:36.240> energy<00:05:36.960> when 00:05:37.189 --> 00:05:37.199 align:start position:0% represent little or no sound energy when 00:05:37.199 --> 00:05:39.350 align:start position:0% represent little or no sound energy when using<00:05:37.520> mid<00:05:37.759> and<00:05:38.000> side<00:05:38.320> width<00:05:38.560> parameters 00:05:39.350 --> 00:05:39.360 align:start position:0% using mid and side width parameters 00:05:39.360 --> 00:05:41.430 align:start position:0% using mid and side width parameters bright<00:05:39.680> meter<00:05:40.000> sections<00:05:40.560> on<00:05:40.720> the<00:05:40.880> width<00:05:41.120> tab 00:05:41.430 --> 00:05:41.440 align:start position:0% bright meter sections on the width tab 00:05:41.440 --> 00:05:43.909 align:start position:0% bright meter sections on the width tab show<00:05:41.680> regions<00:05:42.240> with<00:05:42.479> a<00:05:42.560> wide<00:05:42.880> stereo<00:05:43.360> image 00:05:43.909 --> 00:05:43.919 align:start position:0% show regions with a wide stereo image 00:05:43.919 --> 00:05:45.909 align:start position:0% show regions with a wide stereo image while<00:05:44.240> dark<00:05:44.560> areas<00:05:44.960> show<00:05:45.120> where<00:05:45.360> the<00:05:45.520> signal 00:05:45.909 --> 00:05:45.919 align:start position:0% while dark areas show where the signal 00:05:45.919 --> 00:05:48.230 align:start position:0% while dark areas show where the signal is<00:05:46.080> narrower<00:05:46.560> or<00:05:46.720> mono<00:05:47.520> the<00:05:47.680> tone<00:05:47.919> tab<00:05:48.160> is 00:05:48.230 --> 00:05:48.240 align:start position:0% is narrower or mono the tone tab is 00:05:48.240 --> 00:05:49.830 align:start position:0% is narrower or mono the tone tab is designed<00:05:48.560> to<00:05:48.720> help<00:05:48.880> you<00:05:49.039> get<00:05:49.280> into<00:05:49.520> good 00:05:49.830 --> 00:05:49.840 align:start position:0% designed to help you get into good 00:05:49.840 --> 00:05:52.310 align:start position:0% designed to help you get into good production<00:05:50.479> habits<00:05:50.960> by<00:05:51.120> using<00:05:51.440> broad<00:05:51.840> strokes 00:05:52.310 --> 00:05:52.320 align:start position:0% production habits by using broad strokes 00:05:52.320 --> 00:05:54.790 align:start position:0% production habits by using broad strokes of<00:05:52.479> eq<00:05:53.199> to<00:05:53.360> shape<00:05:53.600> the<00:05:53.759> overall<00:05:54.160> tone<00:05:54.479> applies 00:05:54.790 --> 00:05:54.800 align:start position:0% of eq to shape the overall tone applies 00:05:54.800 --> 00:05:56.870 align:start position:0% of eq to shape the overall tone applies to<00:05:54.960> the<00:05:55.120> full<00:05:55.360> stereo<00:05:55.919> spectrum<00:05:56.479> rather<00:05:56.800> than 00:05:56.870 --> 00:05:56.880 align:start position:0% to the full stereo spectrum rather than 00:05:56.880 --> 00:05:59.270 align:start position:0% to the full stereo spectrum rather than getting<00:05:57.280> bogged<00:05:57.680> down<00:05:58.000> in<00:05:58.160> precise<00:05:58.800> cuts<00:05:59.120> and 00:05:59.270 --> 00:05:59.280 align:start position:0% getting bogged down in precise cuts and 00:05:59.280 --> 00:06:01.110 align:start position:0% getting bogged down in precise cuts and notches<00:05:59.759> and<00:05:59.840> this<00:06:00.080> will<00:06:00.160> help<00:06:00.319> you<00:06:00.479> maintain 00:06:01.110 --> 00:06:01.120 align:start position:0% notches and this will help you maintain 00:06:01.120 --> 00:06:03.270 align:start position:0% notches and this will help you maintain your<00:06:01.280> creative<00:06:01.759> workflow<00:06:02.639> the<00:06:02.800> width<00:06:03.039> tab 00:06:03.270 --> 00:06:03.280 align:start position:0% your creative workflow the width tab 00:06:03.280 --> 00:06:05.350 align:start position:0% your creative workflow the width tab controls<00:06:03.759> the<00:06:03.919> side<00:06:04.319> energy<00:06:04.720> of<00:06:04.800> the<00:06:04.880> stereo 00:06:05.350 --> 00:06:05.360 align:start position:0% controls the side energy of the stereo 00:06:05.360 --> 00:06:07.510 align:start position:0% controls the side energy of the stereo channels<00:06:06.000> for<00:06:06.160> example<00:06:06.639> focus<00:06:07.039> your<00:06:07.280> bass 00:06:07.510 --> 00:06:07.520 align:start position:0% channels for example focus your bass 00:06:07.520 --> 00:06:09.510 align:start position:0% channels for example focus your bass channel<00:06:07.840> into<00:06:08.160> mono<00:06:08.479> by<00:06:08.639> introducing<00:06:09.199> a<00:06:09.360> low 00:06:09.510 --> 00:06:09.520 align:start position:0% channel into mono by introducing a low 00:06:09.520 --> 00:06:12.309 align:start position:0% channel into mono by introducing a low cut<00:06:09.840> filter<00:06:10.240> on<00:06:10.319> the<00:06:10.639> sides<00:06:11.520> or<00:06:11.680> broaden<00:06:12.080> your 00:06:12.309 --> 00:06:12.319 align:start position:0% cut filter on the sides or broaden your 00:06:12.319 --> 00:06:14.390 align:start position:0% cut filter on the sides or broaden your vocals<00:06:12.720> by<00:06:12.960> boosting<00:06:13.360> the<00:06:13.520> air<00:06:13.759> frequencies 00:06:14.390 --> 00:06:14.400 align:start position:0% vocals by boosting the air frequencies 00:06:14.400 --> 00:06:16.629 align:start position:0% vocals by boosting the air frequencies on<00:06:14.560> the<00:06:14.720> sides 00:06:16.629 --> 00:06:16.639 align:start position:0% on the sides 00:06:16.639 --> 00:06:18.150 align:start position:0% on the sides moving<00:06:16.960> on<00:06:17.039> to<00:06:17.199> the<00:06:17.360> tweak<00:06:17.680> view<00:06:17.919> and<00:06:18.000> you'll 00:06:18.150 --> 00:06:18.160 align:start position:0% moving on to the tweak view and you'll 00:06:18.160 --> 00:06:20.150 align:start position:0% moving on to the tweak view and you'll notice<00:06:18.639> any<00:06:18.880> filtering<00:06:19.360> we<00:06:19.520> applied<00:06:19.919> in<00:06:20.080> the 00:06:20.150 --> 00:06:20.160 align:start position:0% notice any filtering we applied in the 00:06:20.160 --> 00:06:22.870 align:start position:0% notice any filtering we applied in the produce<00:06:20.800> view<00:06:21.360> will<00:06:21.520> be<00:06:21.759> viewable<00:06:22.560> if<00:06:22.720> we 00:06:22.870 --> 00:06:22.880 align:start position:0% produce view will be viewable if we 00:06:22.880 --> 00:06:24.550 align:start position:0% produce view will be viewable if we toggle<00:06:23.199> between<00:06:23.440> the<00:06:23.600> two<00:06:23.759> windows<00:06:24.240> changes 00:06:24.550 --> 00:06:24.560 align:start position:0% toggle between the two windows changes 00:06:24.560 --> 00:06:26.309 align:start position:0% toggle between the two windows changes can<00:06:24.720> be<00:06:24.880> made<00:06:25.120> in<00:06:25.280> either<00:06:25.680> section<00:06:26.080> and<00:06:26.160> will 00:06:26.309 --> 00:06:26.319 align:start position:0% can be made in either section and will 00:06:26.319 --> 00:06:28.469 align:start position:0% can be made in either section and will be<00:06:26.479> applied<00:06:26.880> and<00:06:27.039> visible<00:06:27.520> in<00:06:27.600> both<00:06:27.919> sections 00:06:28.469 --> 00:06:28.479 align:start position:0% be applied and visible in both sections 00:06:28.479 --> 00:06:29.909 align:start position:0% be applied and visible in both sections tweak<00:06:28.800> view<00:06:28.960> is<00:06:29.039> where<00:06:29.199> we<00:06:29.360> can<00:06:29.520> operate 00:06:29.909 --> 00:06:29.919 align:start position:0% tweak view is where we can operate 00:06:29.919 --> 00:06:32.710 align:start position:0% tweak view is where we can operate precise<00:06:30.720> surgical<00:06:31.360> filtering<00:06:31.919> and<00:06:32.000> claro<00:06:32.400> has 00:06:32.710 --> 00:06:32.720 align:start position:0% precise surgical filtering and claro has 00:06:32.720 --> 00:06:34.790 align:start position:0% precise surgical filtering and claro has all<00:06:32.880> the<00:06:33.120> professional<00:06:33.840> tools<00:06:34.160> we<00:06:34.319> need<00:06:34.560> to<00:06:34.639> do 00:06:34.790 --> 00:06:34.800 align:start position:0% all the professional tools we need to do 00:06:34.800 --> 00:06:36.790 align:start position:0% all the professional tools we need to do this<00:06:35.120> such<00:06:35.440> as<00:06:35.600> filter<00:06:35.919> slopes<00:06:36.319> as<00:06:36.479> steep<00:06:36.720> as 00:06:36.790 --> 00:06:36.800 align:start position:0% this such as filter slopes as steep as 00:06:36.800 --> 00:06:40.230 align:start position:0% this such as filter slopes as steep as 120<00:06:37.919> decibels<00:06:38.560> per<00:06:38.800> octave<00:06:39.520> as<00:06:39.759> in<00:06:39.840> produced 00:06:40.230 --> 00:06:40.240 align:start position:0% 120 decibels per octave as in produced 00:06:40.240 --> 00:06:41.749 align:start position:0% 120 decibels per octave as in produced view<00:06:40.479> along<00:06:40.800> the<00:06:40.880> top<00:06:41.039> we<00:06:41.199> have<00:06:41.280> a<00:06:41.360> series<00:06:41.680> of 00:06:41.749 --> 00:06:41.759 align:start position:0% view along the top we have a series of 00:06:41.759 --> 00:06:43.670 align:start position:0% view along the top we have a series of positive<00:06:42.319> descriptive<00:06:42.880> words<00:06:43.199> to<00:06:43.280> help<00:06:43.520> us 00:06:43.670 --> 00:06:43.680 align:start position:0% positive descriptive words to help us 00:06:43.680 --> 00:06:45.749 align:start position:0% positive descriptive words to help us identify<00:06:44.400> desirable<00:06:44.960> qualities<00:06:45.520> in<00:06:45.600> the 00:06:45.749 --> 00:06:45.759 align:start position:0% identify desirable qualities in the 00:06:45.759 --> 00:06:46.710 align:start position:0% identify desirable qualities in the audio 00:06:46.710 --> 00:06:46.720 align:start position:0% audio 00:06:46.720 --> 00:06:48.390 align:start position:0% audio boosting<00:06:47.120> in<00:06:47.199> these<00:06:47.440> ranges<00:06:47.759> will<00:06:47.919> give<00:06:48.160> us<00:06:48.319> a 00:06:48.390 --> 00:06:48.400 align:start position:0% boosting in these ranges will give us a 00:06:48.400 --> 00:06:50.790 align:start position:0% boosting in these ranges will give us a desired<00:06:49.039> tonal<00:06:49.440> effect<00:06:50.240> we<00:06:50.479> also<00:06:50.639> have 00:06:50.790 --> 00:06:50.800 align:start position:0% desired tonal effect we also have 00:06:50.800 --> 00:06:52.390 align:start position:0% desired tonal effect we also have another<00:06:51.120> series<00:06:51.440> of<00:06:51.520> descriptive<00:06:52.080> prompts 00:06:52.390 --> 00:06:52.400 align:start position:0% another series of descriptive prompts 00:06:52.400 --> 00:06:54.150 align:start position:0% another series of descriptive prompts along<00:06:52.720> the<00:06:52.880> bottom<00:06:53.280> indicating<00:06:53.919> less 00:06:54.150 --> 00:06:54.160 align:start position:0% along the bottom indicating less 00:06:54.160 --> 00:06:56.550 align:start position:0% along the bottom indicating less desirable<00:06:54.800> tonal<00:06:55.199> attributes<00:06:56.080> cutting<00:06:56.400> in 00:06:56.550 --> 00:06:56.560 align:start position:0% desirable tonal attributes cutting in 00:06:56.560 --> 00:06:58.150 align:start position:0% desirable tonal attributes cutting in these<00:06:56.720> ranges<00:06:57.039> will<00:06:57.199> help<00:06:57.440> remove<00:06:57.919> these 00:06:58.150 --> 00:06:58.160 align:start position:0% these ranges will help remove these 00:06:58.160 --> 00:07:00.469 align:start position:0% these ranges will help remove these tonal<00:06:58.560> qualities<00:06:59.120> from<00:06:59.360> our<00:06:59.599> audio<00:07:00.319> for 00:07:00.469 --> 00:07:00.479 align:start position:0% tonal qualities from our audio for 00:07:00.479 --> 00:07:02.469 align:start position:0% tonal qualities from our audio for example<00:07:00.960> on<00:07:01.120> this<00:07:01.360> master<00:07:01.840> bus<00:07:02.080> for<00:07:02.160> a<00:07:02.240> track 00:07:02.469 --> 00:07:02.479 align:start position:0% example on this master bus for a track 00:07:02.479 --> 00:07:04.230 align:start position:0% example on this master bus for a track i'm<00:07:02.639> working<00:07:02.960> on<00:07:03.120> at<00:07:03.199> the<00:07:03.280> moment<00:07:03.599> i<00:07:03.759> can<00:07:03.919> boost 00:07:04.230 --> 00:07:04.240 align:start position:0% i'm working on at the moment i can boost 00:07:04.240 --> 00:07:06.790 align:start position:0% i'm working on at the moment i can boost the<00:07:04.400> warmth 00:07:06.790 --> 00:07:06.800 align:start position:0% the warmth 00:07:06.800 --> 00:07:11.420 align:start position:0% the warmth [Music] 00:07:11.420 --> 00:07:11.430 align:start position:0% [Music] 00:07:11.430 --> 00:07:12.030 align:start position:0% [Music] [Applause] 00:07:12.030 --> 00:07:12.040 align:start position:0% [Applause] 00:07:12.040 --> 00:07:15.430 align:start position:0% [Applause] [Music] 00:07:15.430 --> 00:07:15.440 align:start position:0% 00:07:15.440 --> 00:07:19.150 align:start position:0% or<00:07:15.680> i<00:07:15.759> can<00:07:15.919> cut<00:07:16.080> the<00:07:16.240> mud 00:07:19.150 --> 00:07:19.160 align:start position:0% 00:07:19.160 --> 00:07:20.440 align:start position:0% [Music] 00:07:20.440 --> 00:07:20.450 align:start position:0% [Music] 00:07:20.450 --> 00:07:21.570 align:start position:0% [Music] [Applause] 00:07:21.570 --> 00:07:21.580 align:start position:0% [Applause] 00:07:21.580 --> 00:07:26.150 align:start position:0% [Applause] [Music] 00:07:26.150 --> 00:07:26.160 align:start position:0% [Music] 00:07:26.160 --> 00:07:28.240 align:start position:0% [Music] and<00:07:26.319> i<00:07:26.400> can<00:07:26.639> boost<00:07:26.880> the<00:07:27.039> definition 00:07:28.240 --> 00:07:28.250 align:start position:0% and i can boost the definition 00:07:28.250 --> 00:07:36.870 align:start position:0% and i can boost the definition [Music] 00:07:36.870 --> 00:07:36.880 align:start position:0% [Music] 00:07:36.880 --> 00:07:39.660 align:start position:0% [Music] or<00:07:37.039> i<00:07:37.120> can<00:07:37.360> cut<00:07:37.520> the<00:07:37.599> harshness 00:07:39.660 --> 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a visual<00:07:52.879> representation<00:07:53.599> of<00:07:53.680> the<00:07:53.919> sound 00:07:54.150 --> 00:07:54.160 align:start position:0% visual representation of the sound 00:07:54.160 --> 00:07:55.990 align:start position:0% visual representation of the sound energy<00:07:54.560> in<00:07:54.720> blue<00:07:55.120> which<00:07:55.360> follows<00:07:55.759> your 00:07:55.990 --> 00:07:56.000 align:start position:0% energy in blue which follows your 00:07:56.000 --> 00:07:58.230 align:start position:0% energy in blue which follows your intentions<00:07:57.039> changing<00:07:57.360> the<00:07:57.520> speed<00:07:57.919> and 00:07:58.230 --> 00:07:58.240 align:start position:0% intentions changing the speed and 00:07:58.240 --> 00:08:00.469 align:start position:0% intentions changing the speed and smoothness<00:07:58.879> as<00:07:59.039> you<00:07:59.199> make<00:07:59.520> changes 00:08:00.469 --> 00:08:00.479 align:start position:0% smoothness as you make changes 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surgical 00:08:07.360 --> 00:08:09.029 align:start position:0% but if you're making more surgical notches<00:08:07.840> the<00:08:07.919> analyzer<00:08:08.400> becomes<00:08:08.800> more 00:08:09.029 --> 00:08:09.039 align:start position:0% notches the analyzer becomes more 00:08:09.039 --> 00:08:11.510 align:start position:0% notches the analyzer becomes more responsive<00:08:09.759> and<00:08:09.919> detailed<00:08:10.879> resonating 00:08:11.510 --> 00:08:11.520 align:start position:0% responsive and detailed resonating 00:08:11.520 --> 00:08:13.589 align:start position:0% responsive and detailed resonating frequencies<00:08:12.160> or<00:08:12.400> frequency<00:08:12.879> hotspots<00:08:13.440> are 00:08:13.589 --> 00:08:13.599 align:start position:0% frequencies or frequency hotspots are 00:08:13.599 --> 00:08:15.749 align:start position:0% frequencies or frequency hotspots are highlighted<00:08:14.160> in<00:08:14.400> blue<00:08:14.960> this<00:08:15.199> visual<00:08:15.599> aid 00:08:15.749 --> 00:08:15.759 align:start position:0% highlighted in blue this visual aid 00:08:15.759 --> 00:08:17.510 align:start position:0% highlighted in blue this visual aid allows<00:08:16.080> us<00:08:16.240> to<00:08:16.400> target<00:08:16.800> problem<00:08:17.120> areas 00:08:17.510 --> 00:08:17.520 align:start position:0% allows us to target problem areas 00:08:17.520 --> 00:08:19.670 align:start position:0% allows us to target problem areas quickly<00:08:17.919> without<00:08:18.240> having<00:08:18.479> to<00:08:18.720> sweep<00:08:19.120> and<00:08:19.280> scan 00:08:19.670 --> 00:08:19.680 align:start position:0% quickly without having to sweep and scan 00:08:19.680 --> 00:08:21.430 align:start position:0% quickly without having to sweep and scan for<00:08:19.840> the<00:08:20.000> problem<00:08:20.319> areas 00:08:21.430 --> 00:08:21.440 align:start position:0% for the problem areas 00:08:21.440 --> 00:08:23.110 align:start position:0% for the problem areas below<00:08:21.759> the<00:08:21.840> descriptive<00:08:22.400> words<00:08:22.720> at<00:08:22.800> the<00:08:22.879> top 00:08:23.110 --> 00:08:23.120 align:start position:0% below the descriptive words at the top 00:08:23.120 --> 00:08:24.710 align:start position:0% below the descriptive words at the top of<00:08:23.199> the<00:08:23.360> window<00:08:23.680> is<00:08:23.759> a<00:08:23.840> piano<00:08:24.319> roll<00:08:24.479> which 00:08:24.710 --> 00:08:24.720 align:start position:0% of the window is a piano roll which 00:08:24.720 --> 00:08:27.029 align:start position:0% of the window is a piano roll which indicates<00:08:25.280> the<00:08:25.440> notes<00:08:25.759> our<00:08:26.000> eq<00:08:26.479> points<00:08:26.800> are 00:08:27.029 --> 00:08:27.039 align:start position:0% indicates the notes our eq points are 00:08:27.039 --> 00:08:29.830 align:start position:0% indicates the notes our eq points are centered<00:08:27.520> to<00:08:27.919> giving<00:08:28.240> musical<00:08:28.800> context<00:08:29.680> and 00:08:29.830 --> 00:08:29.840 align:start position:0% centered to giving musical context and 00:08:29.840 --> 00:08:31.749 align:start position:0% centered to giving musical context and it's<00:08:30.080> great<00:08:30.400> for<00:08:30.560> those<00:08:30.800> lucky<00:08:31.199> people<00:08:31.520> with 00:08:31.749 --> 00:08:31.759 align:start position:0% it's great for those lucky people with 00:08:31.759 --> 00:08:33.750 align:start position:0% it's great for those lucky people with perfect<00:08:32.159> pitch 00:08:33.750 --> 00:08:33.760 align:start position:0% perfect pitch 00:08:33.760 --> 00:08:35.909 align:start position:0% perfect pitch by<00:08:33.919> selecting<00:08:34.320> an<00:08:34.479> eq<00:08:34.959> node<00:08:35.279> and<00:08:35.599> right 00:08:35.909 --> 00:08:35.919 align:start position:0% by selecting an eq node and right 00:08:35.919 --> 00:08:37.589 align:start position:0% by selecting an eq node and right clicking<00:08:36.479> we<00:08:36.640> can<00:08:36.800> choose<00:08:37.120> the<00:08:37.200> type<00:08:37.440> of 00:08:37.589 --> 00:08:37.599 align:start position:0% clicking we can choose the type of 00:08:37.599 --> 00:08:39.990 align:start position:0% clicking we can choose the type of filter<00:08:37.919> we<00:08:38.080> want<00:08:38.240> to<00:08:38.399> work<00:08:38.640> with<00:08:39.120> cuts<00:08:39.599> shelves 00:08:39.990 --> 00:08:40.000 align:start position:0% filter we want to work with cuts shelves 00:08:40.000 --> 00:08:41.990 align:start position:0% filter we want to work with cuts shelves or<00:08:40.240> bell<00:08:40.560> shapes<00:08:41.039> and<00:08:41.279> which<00:08:41.519> part<00:08:41.760> of<00:08:41.839> the 00:08:41.990 --> 00:08:42.000 align:start position:0% or bell shapes and which part of the 00:08:42.000 --> 00:08:44.630 align:start position:0% or bell shapes and which part of the signal<00:08:42.399> we're<00:08:42.640> processing<00:08:43.440> the<00:08:43.599> mid<00:08:44.000> sides 00:08:44.630 --> 00:08:44.640 align:start position:0% signal we're processing the mid sides 00:08:44.640 --> 00:08:46.310 align:start position:0% signal we're processing the mid sides left<00:08:44.880> or<00:08:45.040> right<00:08:45.279> or<00:08:45.440> the<00:08:45.519> full<00:08:45.760> stereo 00:08:46.310 --> 00:08:46.320 align:start position:0% left or right or the full stereo 00:08:46.320 --> 00:08:47.670 align:start position:0% left or right or the full stereo spectrum 00:08:47.670 --> 00:08:47.680 align:start position:0% spectrum 00:08:47.680 --> 00:08:49.430 align:start position:0% spectrum we<00:08:47.839> can<00:08:48.000> even<00:08:48.240> split<00:08:48.560> the<00:08:48.640> left<00:08:48.959> and<00:08:49.120> right 00:08:49.430 --> 00:08:49.440 align:start position:0% we can even split the left and right 00:08:49.440 --> 00:08:51.190 align:start position:0% we can even split the left and right sides<00:08:49.760> of<00:08:49.839> the<00:08:50.000> signal<00:08:50.399> should<00:08:50.640> we<00:08:50.800> want<00:08:51.040> to 00:08:51.190 --> 00:08:51.200 align:start position:0% sides of the signal should we want to 00:08:51.200 --> 00:08:53.750 align:start position:0% sides of the signal should we want to process<00:08:51.680> the<00:08:51.760> eq<00:08:52.240> differently<00:08:52.640> on<00:08:52.800> each<00:08:53.040> side 00:08:53.750 --> 00:08:53.760 align:start position:0% process the eq differently on each side 00:08:53.760 --> 00:08:56.070 align:start position:0% process the eq differently on each side the<00:08:53.920> eq<00:08:54.399> split<00:08:54.720> is<00:08:54.880> a<00:08:55.040> powerful<00:08:55.600> tool<00:08:55.839> for 00:08:56.070 --> 00:08:56.080 align:start position:0% the eq split is a powerful tool for 00:08:56.080 --> 00:08:58.470 align:start position:0% the eq split is a powerful tool for mastering<00:08:56.959> floating<00:08:57.360> controls<00:08:57.920> allow<00:08:58.320> the 00:08:58.470 --> 00:08:58.480 align:start position:0% mastering floating controls allow the 00:08:58.480 --> 00:09:01.030 align:start position:0% mastering floating controls allow the user<00:08:58.800> to<00:08:58.959> adjust<00:08:59.519> the<00:08:59.760> following<00:09:00.160> options 00:09:01.030 --> 00:09:01.040 align:start position:0% user to adjust the following options 00:09:01.040 --> 00:09:03.269 align:start position:0% user to adjust the following options gain<00:09:01.440> by<00:09:01.680> selecting<00:09:02.080> the<00:09:02.240> eq<00:09:02.800> node<00:09:03.120> and 00:09:03.269 --> 00:09:03.279 align:start position:0% gain by selecting the eq node and 00:09:03.279 --> 00:09:05.110 align:start position:0% gain by selecting the eq node and dragging<00:09:03.760> it<00:09:03.920> vertically<00:09:04.480> to<00:09:04.640> adjust<00:09:04.959> the 00:09:05.110 --> 00:09:05.120 align:start position:0% dragging it vertically to adjust the 00:09:05.120 --> 00:09:06.870 align:start position:0% dragging it vertically to adjust the band's<00:09:05.519> gain<00:09:05.839> without<00:09:06.320> adjusting<00:09:06.720> the 00:09:06.870 --> 00:09:06.880 align:start position:0% band's gain without adjusting the 00:09:06.880 --> 00:09:08.710 align:start position:0% band's gain without adjusting the frequency<00:09:07.839> or<00:09:08.000> double<00:09:08.320> click<00:09:08.560> on<00:09:08.640> the 00:09:08.710 --> 00:09:08.720 align:start position:0% frequency or double click on the 00:09:08.720 --> 00:09:10.470 align:start position:0% frequency or double click on the floating<00:09:09.200> value<00:09:09.440> to<00:09:09.600> enter<00:09:09.839> parameters 00:09:10.470 --> 00:09:10.480 align:start position:0% floating value to enter parameters 00:09:10.480 --> 00:09:11.829 align:start position:0% floating value to enter parameters manually 00:09:11.829 --> 00:09:11.839 align:start position:0% manually 00:09:11.839 --> 00:09:14.150 align:start position:0% manually select<00:09:12.160> an<00:09:12.320> eq<00:09:12.720> node<00:09:12.959> and<00:09:13.120> slide<00:09:13.440> horizontally 00:09:14.150 --> 00:09:14.160 align:start position:0% select an eq node and slide horizontally 00:09:14.160 --> 00:09:16.230 align:start position:0% select an eq node and slide horizontally to<00:09:14.320> adjust<00:09:14.640> the<00:09:14.800> frequency<00:09:15.360> or<00:09:15.519> note<00:09:15.839> without 00:09:16.230 --> 00:09:16.240 align:start position:0% to adjust the frequency or note without 00:09:16.240 --> 00:09:17.990 align:start position:0% to adjust the frequency or note without adjusting<00:09:16.640> the<00:09:16.800> gain 00:09:17.990 --> 00:09:18.000 align:start position:0% adjusting the gain 00:09:18.000 --> 00:09:19.670 align:start position:0% adjusting the gain the<00:09:18.160> shelves<00:09:18.560> can<00:09:18.640> be<00:09:18.800> set<00:09:19.040> to<00:09:19.279> varying 00:09:19.670 --> 00:09:19.680 align:start position:0% the shelves can be set to varying 00:09:19.680 --> 00:09:21.509 align:start position:0% the shelves can be set to varying degrees<00:09:20.080> of<00:09:20.240> roll<00:09:20.480> off<00:09:20.640> using<00:09:20.880> the<00:09:21.040> vertical 00:09:21.509 --> 00:09:21.519 align:start position:0% degrees of roll off using the vertical 00:09:21.519 --> 00:09:24.310 align:start position:0% degrees of roll off using the vertical slider<00:09:22.080> all<00:09:22.240> the<00:09:22.240> way<00:09:22.399> up<00:09:22.480> to<00:09:22.680> 120<00:09:23.680> decibels 00:09:24.310 --> 00:09:24.320 align:start position:0% slider all the way up to 120 decibels 00:09:24.320 --> 00:09:26.630 align:start position:0% slider all the way up to 120 decibels per<00:09:24.640> octave<00:09:25.200> resulting<00:09:25.680> in<00:09:25.839> a<00:09:25.920> brick<00:09:26.240> wall 00:09:26.630 --> 00:09:26.640 align:start position:0% per octave resulting in a brick wall 00:09:26.640 --> 00:09:27.750 align:start position:0% per octave resulting in a brick wall filter 00:09:27.750 --> 00:09:27.760 align:start position:0% filter 00:09:27.760 --> 00:09:29.590 align:start position:0% filter the<00:09:27.920> width<00:09:28.240> of<00:09:28.399> each<00:09:28.560> eq<00:09:29.040> node<00:09:29.279> can<00:09:29.440> be 00:09:29.590 --> 00:09:29.600 align:start position:0% the width of each eq node can be 00:09:29.600 --> 00:09:31.910 align:start position:0% the width of each eq node can be adjusted<00:09:30.080> using<00:09:30.399> the<00:09:30.480> vertical<00:09:31.040> slider<00:09:31.760> and 00:09:31.910 --> 00:09:31.920 align:start position:0% adjusted using the vertical slider and 00:09:31.920 --> 00:09:33.670 align:start position:0% adjusted using the vertical slider and the<00:09:32.080> shape<00:09:32.320> of<00:09:32.480> each<00:09:32.720> eq<00:09:33.120> node<00:09:33.360> can<00:09:33.519> be 00:09:33.670 --> 00:09:33.680 align:start position:0% the shape of each eq node can be 00:09:33.680 --> 00:09:36.230 align:start position:0% the shape of each eq node can be adjusted<00:09:34.160> to<00:09:34.320> create<00:09:34.640> precise<00:09:35.200> eq<00:09:35.760> curves 00:09:36.230 --> 00:09:36.240 align:start position:0% adjusted to create precise eq curves 00:09:36.240 --> 00:09:38.550 align:start position:0% adjusted to create precise eq curves bells<00:09:36.640> and<00:09:36.800> rectangular<00:09:37.600> shapes 00:09:38.550 --> 00:09:38.560 align:start position:0% bells and rectangular shapes 00:09:38.560 --> 00:09:40.550 align:start position:0% bells and rectangular shapes listen<00:09:38.880> mode<00:09:39.120> can<00:09:39.279> be<00:09:39.360> implemented<00:09:39.920> to<00:09:40.160> solo 00:09:40.550 --> 00:09:40.560 align:start position:0% listen mode can be implemented to solo 00:09:40.560 --> 00:09:42.550 align:start position:0% listen mode can be implemented to solo each<00:09:40.800> filter<00:09:41.200> point<00:09:41.440> by<00:09:41.680> option<00:09:42.080> clicking<00:09:42.480> on 00:09:42.550 --> 00:09:42.560 align:start position:0% each filter point by option clicking on 00:09:42.560 --> 00:09:45.030 align:start position:0% each filter point by option clicking on the<00:09:42.720> eq<00:09:43.120> node<00:09:43.360> you<00:09:43.440> wish<00:09:43.680> to<00:09:43.839> solo<00:09:44.480> or<00:09:44.720> clicking 00:09:45.030 --> 00:09:45.040 align:start position:0% the eq node you wish to solo or clicking 00:09:45.040 --> 00:09:47.509 align:start position:0% the eq node you wish to solo or clicking on<00:09:45.200> and<00:09:45.440> holding<00:09:45.760> the<00:09:45.839> headphone<00:09:46.399> icon 00:09:47.509 --> 00:09:47.519 align:start position:0% on and holding the headphone icon 00:09:47.519 --> 00:09:49.509 align:start position:0% on and holding the headphone icon this<00:09:47.760> is<00:09:47.839> particularly<00:09:48.399> useful<00:09:48.800> for<00:09:48.959> sliding 00:09:49.509 --> 00:09:49.519 align:start position:0% this is particularly useful for sliding 00:09:49.519 --> 00:09:51.670 align:start position:0% this is particularly useful for sliding across<00:09:49.839> the<00:09:49.920> spectrum<00:09:50.399> to<00:09:50.560> identify<00:09:51.279> problem 00:09:51.670 --> 00:09:51.680 align:start position:0% across the spectrum to identify problem 00:09:51.680 --> 00:09:54.070 align:start position:0% across the spectrum to identify problem areas<00:09:52.000> again<00:09:52.560> the<00:09:52.720> visual<00:09:53.120> aid<00:09:53.360> of<00:09:53.440> the<00:09:53.600> before 00:09:54.070 --> 00:09:54.080 align:start position:0% areas again the visual aid of the before 00:09:54.080 --> 00:09:56.310 align:start position:0% areas again the visual aid of the before and<00:09:54.240> after<00:09:54.560> curves<00:09:54.880> are<00:09:55.040> very<00:09:55.279> useful<00:09:56.080> when 00:09:56.310 --> 00:09:56.320 align:start position:0% and after curves are very useful when 00:09:56.320 --> 00:09:58.790 align:start position:0% and after curves are very useful when processing<00:09:56.880> audio<00:09:57.279> claro<00:09:57.760> displays<00:09:58.320> both<00:09:58.640> the 00:09:58.790 --> 00:09:58.800 align:start position:0% processing audio claro displays both the 00:09:58.800 --> 00:10:01.030 align:start position:0% processing audio claro displays both the outline<00:09:59.200> of<00:09:59.279> the<00:09:59.440> original<00:10:00.000> signal<00:10:00.399> eq<00:10:00.880> and 00:10:01.030 --> 00:10:01.040 align:start position:0% outline of the original signal eq and 00:10:01.040 --> 00:10:03.670 align:start position:0% outline of the original signal eq and the<00:10:01.120> resulting<00:10:01.839> processed<00:10:02.399> eq<00:10:03.200> moving<00:10:03.519> on<00:10:03.600> to 00:10:03.670 --> 00:10:03.680 align:start position:0% the resulting processed eq moving on to 00:10:03.680 --> 00:10:05.269 align:start position:0% the resulting processed eq moving on to the<00:10:03.839> final<00:10:04.240> view<00:10:04.480> mode<00:10:04.720> and<00:10:04.880> this<00:10:05.040> is<00:10:05.120> where 00:10:05.269 --> 00:10:05.279 align:start position:0% the final view mode and this is where 00:10:05.279 --> 00:10:07.990 align:start position:0% the final view mode and this is where this<00:10:05.519> plug-in<00:10:05.920> gets<00:10:06.320> very<00:10:06.800> interesting<00:10:07.839> by 00:10:07.990 --> 00:10:08.000 align:start position:0% this plug-in gets very interesting by 00:10:08.000 --> 00:10:10.310 align:start position:0% this plug-in gets very interesting by assigning<00:10:08.480> multiple<00:10:09.120> instances<00:10:09.680> of<00:10:09.760> claro 00:10:10.310 --> 00:10:10.320 align:start position:0% assigning multiple instances of claro 00:10:10.320 --> 00:10:12.150 align:start position:0% assigning multiple instances of claro onto<00:10:10.560> different<00:10:10.959> channels<00:10:11.440> we<00:10:11.600> can<00:10:11.760> link<00:10:12.000> the 00:10:12.150 --> 00:10:12.160 align:start position:0% onto different channels we can link the 00:10:12.160 --> 00:10:14.389 align:start position:0% onto different channels we can link the eq<00:10:12.640> and<00:10:12.800> assess<00:10:13.200> how<00:10:13.519> all<00:10:13.680> of<00:10:13.760> the<00:10:13.920> tracks<00:10:14.320> are 00:10:14.389 --> 00:10:14.399 align:start position:0% eq and assess how all of the tracks are 00:10:14.399 --> 00:10:16.710 align:start position:0% eq and assess how all of the tracks are working<00:10:14.800> in<00:10:14.880> relation<00:10:15.360> to<00:10:15.600> each<00:10:15.760> other<00:10:16.399> to<00:10:16.560> do 00:10:16.710 --> 00:10:16.720 align:start position:0% working in relation to each other to do 00:10:16.720 --> 00:10:18.389 align:start position:0% working in relation to each other to do this<00:10:16.880> quickly<00:10:17.200> in<00:10:17.279> logic<00:10:17.680> simply<00:10:18.000> select 00:10:18.389 --> 00:10:18.399 align:start position:0% this quickly in logic simply select 00:10:18.399 --> 00:10:20.230 align:start position:0% this quickly in logic simply select multiple<00:10:18.880> tracks<00:10:19.279> in<00:10:19.440> the<00:10:19.519> mixer<00:10:19.920> view<00:10:20.160> and 00:10:20.230 --> 00:10:20.240 align:start position:0% multiple tracks in the mixer view and 00:10:20.240 --> 00:10:22.470 align:start position:0% multiple tracks in the mixer view and add<00:10:20.480> claro<00:10:20.880> to<00:10:21.040> one<00:10:21.200> of<00:10:21.360> them<00:10:21.839> how<00:10:22.079> to<00:10:22.160> do<00:10:22.320> this 00:10:22.470 --> 00:10:22.480 align:start position:0% add claro to one of them how to do this 00:10:22.480 --> 00:10:23.990 align:start position:0% add claro to one of them how to do this in<00:10:22.640> other<00:10:22.800> doors<00:10:23.200> can<00:10:23.360> be<00:10:23.519> found<00:10:23.760> in<00:10:23.920> the 00:10:23.990 --> 00:10:24.000 align:start position:0% in other doors can be found in the 00:10:24.000 --> 00:10:27.509 align:start position:0% in other doors can be found in the accompanying<00:10:24.720> user<00:10:25.040> manual 00:10:27.509 --> 00:10:27.519 align:start position:0% 00:10:27.519 --> 00:10:29.430 align:start position:0% the<00:10:27.760> channel<00:10:28.000> list<00:10:28.320> on<00:10:28.399> the<00:10:28.480> left<00:10:28.720> hand<00:10:29.040> side 00:10:29.430 --> 00:10:29.440 align:start position:0% the channel list on the left hand side 00:10:29.440 --> 00:10:31.910 align:start position:0% the channel list on the left hand side is<00:10:29.600> all<00:10:29.760> the<00:10:30.000> channels<00:10:30.560> buses<00:10:31.200> and<00:10:31.600> effects 00:10:31.910 --> 00:10:31.920 align:start position:0% is all the channels buses and effects 00:10:31.920 --> 00:10:34.150 align:start position:0% is all the channels buses and effects buses<00:10:32.240> i<00:10:32.320> have<00:10:32.480> assigned<00:10:32.880> claro<00:10:33.360> too 00:10:34.150 --> 00:10:34.160 align:start position:0% buses i have assigned claro too 00:10:34.160 --> 00:10:35.990 align:start position:0% buses i have assigned claro too by<00:10:34.320> dragging<00:10:34.800> and<00:10:34.959> dropping<00:10:35.279> a<00:10:35.440> channel<00:10:35.760> or 00:10:35.990 --> 00:10:36.000 align:start position:0% by dragging and dropping a channel or 00:10:36.000 --> 00:10:38.310 align:start position:0% by dragging and dropping a channel or bus<00:10:36.399> into<00:10:36.720> the<00:10:36.959> top<00:10:37.279> and<00:10:37.440> bottom<00:10:37.839> windows<00:10:38.240> on 00:10:38.310 --> 00:10:38.320 align:start position:0% bus into the top and bottom windows on 00:10:38.320 --> 00:10:40.870 align:start position:0% bus into the top and bottom windows on the<00:10:38.480> right<00:10:38.880> i<00:10:39.040> can<00:10:39.279> directly<00:10:39.839> assess<00:10:40.240> their<00:10:40.480> eq 00:10:40.870 --> 00:10:40.880 align:start position:0% the right i can directly assess their eq 00:10:40.880 --> 00:10:42.150 align:start position:0% the right i can directly assess their eq relationship 00:10:42.150 --> 00:10:42.160 align:start position:0% relationship 00:10:42.160 --> 00:10:43.910 align:start position:0% relationship the<00:10:42.320> top<00:10:42.560> window<00:10:42.880> becomes<00:10:43.200> our<00:10:43.360> reference 00:10:43.910 --> 00:10:43.920 align:start position:0% the top window becomes our reference 00:10:43.920 --> 00:10:45.910 align:start position:0% the top window becomes our reference track<00:10:44.240> which<00:10:44.560> also<00:10:44.880> can<00:10:45.040> be<00:10:45.200> selected<00:10:45.600> by 00:10:45.910 --> 00:10:45.920 align:start position:0% track which also can be selected by 00:10:45.920 --> 00:10:47.509 align:start position:0% track which also can be selected by clicking<00:10:46.240> the<00:10:46.320> gold<00:10:46.640> stars<00:10:47.040> next<00:10:47.279> to<00:10:47.360> the 00:10:47.509 --> 00:10:47.519 align:start position:0% clicking the gold stars next to the 00:10:47.519 --> 00:10:50.230 align:start position:0% clicking the gold stars next to the channel<00:10:47.839> or<00:10:48.000> bus<00:10:48.320> name<00:10:48.560> in<00:10:48.720> the<00:10:48.800> left<00:10:49.040> window 00:10:50.230 --> 00:10:50.240 align:start position:0% channel or bus name in the left window 00:10:50.240 --> 00:10:51.829 align:start position:0% channel or bus name in the left window claro<00:10:50.640> will<00:10:50.880> highlight<00:10:51.279> clashing 00:10:51.829 --> 00:10:51.839 align:start position:0% claro will highlight clashing 00:10:51.839 --> 00:10:53.829 align:start position:0% claro will highlight clashing frequencies<00:10:52.560> in<00:10:52.880> yellow<00:10:53.440> this<00:10:53.680> is 00:10:53.829 --> 00:10:53.839 align:start position:0% frequencies in yellow this is 00:10:53.839 --> 00:10:56.150 align:start position:0% frequencies in yellow this is representing<00:10:54.480> where<00:10:54.800> frequency<00:10:55.360> overlaps<00:10:55.920> or 00:10:56.150 --> 00:10:56.160 align:start position:0% representing where frequency overlaps or 00:10:56.160 --> 00:10:58.389 align:start position:0% representing where frequency overlaps or spectral<00:10:56.720> masking<00:10:57.200> is<00:10:57.360> occurring<00:10:58.160> and<00:10:58.240> will 00:10:58.389 --> 00:10:58.399 align:start position:0% spectral masking is occurring and will 00:10:58.399 --> 00:11:00.310 align:start position:0% spectral masking is occurring and will help<00:10:58.640> us<00:10:58.720> make<00:10:58.959> informed<00:10:59.440> decisions<00:11:00.000> which 00:11:00.310 --> 00:11:00.320 align:start position:0% help us make informed decisions which 00:11:00.320 --> 00:11:02.310 align:start position:0% help us make informed decisions which frequencies<00:11:00.880> to<00:11:01.040> cut<00:11:01.360> or<00:11:01.519> boost<00:11:01.920> on<00:11:02.079> that 00:11:02.310 --> 00:11:02.320 align:start position:0% frequencies to cut or boost on that 00:11:02.320 --> 00:11:04.470 align:start position:0% frequencies to cut or boost on that channel<00:11:03.040> the<00:11:03.200> bottom<00:11:03.519> window<00:11:03.839> is<00:11:03.920> the<00:11:04.000> working 00:11:04.470 --> 00:11:04.480 align:start position:0% channel the bottom window is the working 00:11:04.480 --> 00:11:06.230 align:start position:0% channel the bottom window is the working channel<00:11:04.720> and<00:11:04.800> the<00:11:04.959> one<00:11:05.120> we<00:11:05.279> want<00:11:05.519> to<00:11:05.760> process 00:11:06.230 --> 00:11:06.240 align:start position:0% channel and the one we want to process 00:11:06.240 --> 00:11:08.630 align:start position:0% channel and the one we want to process in<00:11:06.399> more<00:11:06.720> detail<00:11:07.440> once<00:11:07.680> we've<00:11:07.920> spotted<00:11:08.399> any 00:11:08.630 --> 00:11:08.640 align:start position:0% in more detail once we've spotted any 00:11:08.640 --> 00:11:10.710 align:start position:0% in more detail once we've spotted any masking<00:11:09.519> we<00:11:09.680> have<00:11:09.839> access<00:11:10.160> to<00:11:10.399> all<00:11:10.560> our 00:11:10.710 --> 00:11:10.720 align:start position:0% masking we have access to all our 00:11:10.720 --> 00:11:12.470 align:start position:0% masking we have access to all our processing<00:11:11.279> tools<00:11:11.519> within<00:11:11.839> this<00:11:12.000> window<00:11:12.320> so 00:11:12.470 --> 00:11:12.480 align:start position:0% processing tools within this window so 00:11:12.480 --> 00:11:14.310 align:start position:0% processing tools within this window so we<00:11:12.640> don't<00:11:12.880> need<00:11:13.040> to<00:11:13.200> leave<00:11:13.440> the<00:11:13.600> plugin<00:11:14.079> to 00:11:14.310 --> 00:11:14.320 align:start position:0% we don't need to leave the plugin to 00:11:14.320 --> 00:11:15.990 align:start position:0% we don't need to leave the plugin to affect<00:11:14.640> changes<00:11:15.200> across<00:11:15.519> the<00:11:15.680> different 00:11:15.990 --> 00:11:16.000 align:start position:0% affect changes across the different 00:11:16.000 --> 00:11:18.949 align:start position:0% affect changes across the different channels<00:11:16.720> now<00:11:16.959> not<00:11:17.200> all<00:11:17.360> masking<00:11:17.920> is<00:11:18.320> bad<00:11:18.800> it 00:11:18.949 --> 00:11:18.959 align:start position:0% channels now not all masking is bad it 00:11:18.959 --> 00:11:21.030 align:start position:0% channels now not all masking is bad it can<00:11:19.200> be<00:11:19.360> used<00:11:19.519> to<00:11:19.680> impart<00:11:20.160> a<00:11:20.320> thickness<00:11:20.800> and<00:11:20.880> a 00:11:21.030 --> 00:11:21.040 align:start position:0% can be used to impart a thickness and a 00:11:21.040 --> 00:11:23.110 align:start position:0% can be used to impart a thickness and a presence<00:11:21.600> to<00:11:21.760> your<00:11:22.000> track<00:11:22.480> which<00:11:22.720> is<00:11:22.800> why<00:11:22.959> the 00:11:23.110 --> 00:11:23.120 align:start position:0% presence to your track which is why the 00:11:23.120 --> 00:11:25.350 align:start position:0% presence to your track which is why the plug-in<00:11:23.519> doesn't<00:11:23.839> automate<00:11:24.399> this<00:11:24.720> for<00:11:24.959> you 00:11:25.350 --> 00:11:25.360 align:start position:0% plug-in doesn't automate this for you 00:11:25.360 --> 00:11:27.590 align:start position:0% plug-in doesn't automate this for you but<00:11:25.519> rather<00:11:25.920> leave<00:11:26.160> this<00:11:26.399> important<00:11:27.279> making 00:11:27.590 --> 00:11:27.600 align:start position:0% but rather leave this important making 00:11:27.600 --> 00:11:29.910 align:start position:0% but rather leave this important making process<00:11:28.160> to<00:11:28.320> you<00:11:28.640> the<00:11:28.880> user<00:11:29.440> so<00:11:29.600> you<00:11:29.760> can 00:11:29.910 --> 00:11:29.920 align:start position:0% process to you the user so you can 00:11:29.920 --> 00:11:32.069 align:start position:0% process to you the user so you can decide<00:11:30.320> what's<00:11:30.560> right<00:11:30.800> for<00:11:30.959> your<00:11:31.200> track 00:11:32.069 --> 00:11:32.079 align:start position:0% decide what's right for your track 00:11:32.079 --> 00:11:33.990 align:start position:0% decide what's right for your track the<00:11:32.240> invert<00:11:32.560> eq<00:11:32.880> button<00:11:33.200> is<00:11:33.360> especially 00:11:33.990 --> 00:11:34.000 align:start position:0% the invert eq button is especially 00:11:34.000 --> 00:11:35.829 align:start position:0% the invert eq button is especially useful<00:11:34.320> because<00:11:34.640> you<00:11:34.720> can<00:11:34.959> choose<00:11:35.279> to<00:11:35.440> cut<00:11:35.680> the 00:11:35.829 --> 00:11:35.839 align:start position:0% useful because you can choose to cut the 00:11:35.839 --> 00:11:37.990 align:start position:0% useful because you can choose to cut the eq<00:11:36.320> on<00:11:36.480> one<00:11:36.720> channel<00:11:37.200> and<00:11:37.360> clari<00:11:37.760> will 00:11:37.990 --> 00:11:38.000 align:start position:0% eq on one channel and clari will 00:11:38.000 --> 00:11:40.870 align:start position:0% eq on one channel and clari will automatically<00:11:38.880> boost<00:11:39.360> the<00:11:39.600> same<00:11:39.920> eq<00:11:40.320> band<00:11:40.720> on 00:11:40.870 --> 00:11:40.880 align:start position:0% automatically boost the same eq band on 00:11:40.880 --> 00:11:42.630 align:start position:0% automatically boost the same eq band on another<00:11:41.279> channel<00:11:41.760> for<00:11:41.920> example<00:11:42.320> how<00:11:42.480> i've 00:11:42.630 --> 00:11:42.640 align:start position:0% another channel for example how i've 00:11:42.640 --> 00:11:44.389 align:start position:0% another channel for example how i've done<00:11:42.880> with<00:11:43.040> the<00:11:43.200> keyboards<00:11:43.760> and<00:11:43.920> the<00:11:44.000> guitar 00:11:44.389 --> 00:11:44.399 align:start position:0% done with the keyboards and the guitar 00:11:44.399 --> 00:11:46.230 align:start position:0% done with the keyboards and the guitar busses<00:11:44.800> here<00:11:45.040> to<00:11:45.200> try<00:11:45.360> and<00:11:45.519> create<00:11:45.760> them<00:11:46.000> some 00:11:46.230 --> 00:11:46.240 align:start position:0% busses here to try and create them some 00:11:46.240 --> 00:11:49.830 align:start position:0% busses here to try and create them some separation<00:11:46.959> in<00:11:47.120> the<00:11:47.200> mid-range 00:11:49.830 --> 00:11:49.840 align:start position:0% separation in the mid-range 00:11:49.840 --> 00:12:09.990 align:start position:0% separation in the mid-range [Music] 00:12:09.990 --> 00:12:10.000 align:start position:0% 00:12:10.000 --> 00:12:11.670 align:start position:0% this<00:12:10.160> will<00:12:10.320> save<00:12:10.639> you<00:12:10.880> loads<00:12:11.279> of<00:12:11.440> time 00:12:11.670 --> 00:12:11.680 align:start position:0% this will save you loads of time 00:12:11.680 --> 00:12:13.670 align:start position:0% this will save you loads of time flipping<00:12:12.079> between<00:12:12.399> multiple<00:12:12.880> eq<00:12:13.200> windows<00:12:13.600> in 00:12:13.670 --> 00:12:13.680 align:start position:0% flipping between multiple eq windows in 00:12:13.680 --> 00:12:15.030 align:start position:0% flipping between multiple eq windows in your<00:12:13.839> door 00:12:15.030 --> 00:12:15.040 align:start position:0% your door 00:12:15.040 --> 00:12:16.550 align:start position:0% your door whether<00:12:15.279> you're<00:12:15.360> mixing<00:12:15.680> your<00:12:15.920> first<00:12:16.160> song<00:12:16.480> or 00:12:16.550 --> 00:12:16.560 align:start position:0% whether you're mixing your first song or 00:12:16.560 --> 00:12:18.790 align:start position:0% whether you're mixing your first song or you're<00:12:16.800> a<00:12:16.959> seasoned<00:12:17.440> professional<00:12:18.240> caro<00:12:18.720> has 00:12:18.790 --> 00:12:18.800 align:start position:0% you're a seasoned professional caro has 00:12:18.800 --> 00:12:21.030 align:start position:0% you're a seasoned professional caro has been<00:12:19.040> designed<00:12:19.440> to<00:12:19.600> bring<00:12:19.839> your<00:12:20.079> eq<00:12:20.480> workflow 00:12:21.030 --> 00:12:21.040 align:start position:0% been designed to bring your eq workflow 00:12:21.040 --> 00:12:23.430 align:start position:0% been designed to bring your eq workflow into<00:12:21.440> one<00:12:21.680> plugin<00:12:22.320> to<00:12:22.480> speed<00:12:22.800> up<00:12:22.880> the<00:12:23.040> mixing 00:12:23.430 --> 00:12:23.440 align:start position:0% into one plugin to speed up the mixing 00:12:23.440 --> 00:12:25.269 align:start position:0% into one plugin to speed up the mixing process<00:12:24.079> and<00:12:24.160> to<00:12:24.320> help<00:12:24.480> you<00:12:24.639> make<00:12:24.880> smart 00:12:25.269 --> 00:12:25.279 align:start position:0% process and to help you make smart 00:12:25.279 --> 00:12:27.829 align:start position:0% process and to help you make smart informed<00:12:25.760> decisions<00:12:26.320> along<00:12:26.639> the<00:12:26.800> way<00:12:27.440> so<00:12:27.680> give 00:12:27.829 --> 00:12:27.839 align:start position:0% informed decisions along the way so give 00:12:27.839 --> 00:12:30.870 align:start position:0% informed decisions along the way so give claro<00:12:28.320> a<00:12:28.399> try<00:12:28.720> today<00:12:29.120> for<00:12:29.360> free<00:12:29.839> with<00:12:30.079> a<00:12:30.240> 15-day 00:12:30.870 --> 00:12:30.880 align:start position:0% claro a try today for free with a 15-day 00:12:30.880 --> 00:12:33.670 align:start position:0% claro a try today for free with a 15-day trial<00:12:31.120> over<00:12:31.440> at<00:12:31.600> sonox.com<00:12:32.639> and<00:12:32.800> join<00:12:33.120> the<00:12:33.200> eq 00:12:33.670 --> 00:12:33.680 align:start position:0% trial over at sonox.com and join the eq 00:12:33.680 --> 00:12:35.590 align:start position:0% trial over at sonox.com and join the eq revolution<00:12:34.560> i've<00:12:34.720> been<00:12:34.959> at<00:12:35.120> dawn<00:12:35.360> and<00:12:35.519> on 00:12:35.590 --> 00:12:35.600 align:start position:0% revolution i've been at dawn and on 00:12:35.600 --> 00:12:39.839 align:start position:0% revolution i've been at dawn and on behalf<00:12:36.000> of<00:12:36.160> sonnox<00:12:36.639> thanks<00:12:36.880> for<00:12:37.040> watching