WEBVTT
Kind: Subtitles
Language: en
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Hi<00:00:00.320> I am<00:00:00.480> Ed<00:00:00.640> Thorne<00:00:00.960> here<00:00:01.120> to<00:00:01.280> walk<00:00:01.680> you
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Hi I am Ed Thorne here to walk you
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Hi I am Ed Thorne here to walk you
through<00:00:02.159> Claro<00:00:02.879> the<00:00:03.040> new<00:00:03.280> eq<00:00:03.679> plugin<00:00:04.080> from Sonnox
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through claro the new EQ plugin from Sonnox
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through claro the new EQ plugin from Sonnox
Claro<00:00:07.040> is<00:00:07.120> an<00:00:07.279> intuitive<00:00:07.919> eq<00:00:08.400> plugin<00:00:08.720> designed
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Claro is an intuitive EQ plugin designed
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Claro is an intuitive EQ plugin designed
to<00:00:09.200> help<00:00:09.360> you<00:00:09.519> make<00:00:09.840> informed<00:00:10.320> decisions
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to help you make informed decisions
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to help you make informed decisions
throughout<00:00:11.360> the<00:00:11.519> music<00:00:11.840> production<00:00:12.320> process
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throughout the music production process
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throughout the music production process
from<00:00:13.120> composition<00:00:13.759> to<00:00:14.000> final<00:00:14.400> mix<00:00:14.960> whilst
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from composition to final mix whilst
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from composition to final mix whilst
helping<00:00:15.519> you<00:00:15.759> blend<00:00:16.080> your<00:00:16.240> tracks<00:00:16.640> into<00:00:16.880> a
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helping you blend your tracks into a
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helping you blend your tracks into a
clean<00:00:17.520> well-balanced<00:00:18.240> mix<00:00:18.960> claro<00:00:19.439> has<00:00:19.520> been
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clean well-balanced mix claro has been
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clean well-balanced mix claro has been
designed<00:00:20.160> to<00:00:20.240> help<00:00:20.400> you<00:00:20.560> maintain<00:00:21.199> creative
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designed to help you maintain creative
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designed to help you maintain creative
focus<00:00:22.320> and<00:00:22.560> improve<00:00:22.880> your<00:00:23.119> workflow<00:00:23.600> by
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focus and improve your workflow by
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focus and improve your workflow by
utilizing<00:00:24.480> three<00:00:24.800> distinct<00:00:25.439> processing
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utilizing three distinct processing
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utilizing three distinct processing
stages<00:00:26.720> with<00:00:26.960> progressively<00:00:27.599> more<00:00:27.920> in-depth
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stages with progressively more in-depth
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stages with progressively more in-depth
functionality<00:00:29.359> and<00:00:29.519> precision<00:00:30.240> as<00:00:30.480> you<00:00:30.640> need
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functionality and precision as you need
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functionality and precision as you need
it<00:00:31.279> this<00:00:31.439> plugin<00:00:31.840> has<00:00:32.000> been<00:00:32.160> designed<00:00:32.559> to<00:00:32.719> be
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it this plugin has been designed to be
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it this plugin has been designed to be
used<00:00:33.120> from<00:00:33.280> the<00:00:33.440> start<00:00:33.760> of<00:00:33.920> a<00:00:34.000> production<00:00:34.640> all
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used from the start of a production all
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used from the start of a production all
the<00:00:35.040> way<00:00:35.280> to<00:00:35.440> the<00:00:35.600> end<00:00:36.160> at<00:00:36.239> the<00:00:36.399> beginning
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the way to the end at the beginning
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the way to the end at the beginning
we're<00:00:36.960> just<00:00:37.200> sculpting<00:00:38.000> out<00:00:38.160> the<00:00:38.320> rough<00:00:38.640> sound
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we're just sculpting out the rough sound
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we're just sculpting out the rough sound
of<00:00:39.120> the<00:00:39.360> mix<00:00:39.920> in<00:00:40.000> the<00:00:40.079> middle<00:00:40.399> section<00:00:40.719> we're
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of the mix in the middle section we're
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of the mix in the middle section we're
going<00:00:41.120> into<00:00:41.440> more<00:00:41.840> refined<00:00:42.399> details<00:00:43.040> and<00:00:43.200> in
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going into more refined details and in
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going into more refined details and in
the<00:00:43.520> last<00:00:43.840> part<00:00:44.000> of<00:00:44.079> the<00:00:44.239> plugin<00:00:44.640> we're<00:00:44.800> going
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the last part of the plugin we're going
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the last part of the plugin we're going
to<00:00:44.960> be<00:00:45.120> able<00:00:45.280> to<00:00:45.600> really<00:00:46.000> execute<00:00:46.480> those<00:00:46.800> tiny
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to be able to really execute those tiny
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to be able to really execute those tiny
little<00:00:47.840> details<00:00:48.399> that<00:00:48.640> really<00:00:49.280> if<00:00:49.440> we<00:00:49.600> pay
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little details that really if we pay
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little details that really if we pay
attention<00:00:50.160> to<00:00:50.320> those<00:00:50.559> will<00:00:50.800> really<00:00:51.039> set<00:00:51.280> your
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attention to those will really set your
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attention to those will really set your
mix<00:00:51.680> apart
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mix apart
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mix apart
the<00:00:53.039> plugin<00:00:53.440> consists<00:00:53.920> of<00:00:54.320> three<00:00:54.800> views<00:00:55.520> the
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the plugin consists of three views the
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the plugin consists of three views the
produce<00:00:56.079> view<00:00:56.320> is<00:00:56.480> geared<00:00:56.719> towards<00:00:57.120> broad
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produce view is geared towards broad
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produce view is geared towards broad
strokes<00:00:57.920> eq<00:00:58.399> to<00:00:58.559> get<00:00:58.719> the<00:00:58.879> general<00:00:59.359> tone<00:00:59.760> you
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strokes eq to get the general tone you
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strokes eq to get the general tone you
desire<00:01:00.640> for<00:01:00.800> an<00:01:00.960> enjoyable<00:01:01.600> recording
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desire for an enjoyable recording
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desire for an enjoyable recording
experience<00:01:02.960> whilst<00:01:03.280> encouraging<00:01:03.760> you<00:01:03.840> to
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experience whilst encouraging you to
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experience whilst encouraging you to
quickly<00:01:04.400> move<00:01:04.640> on<00:01:04.799> to<00:01:04.960> the<00:01:05.040> next<00:01:05.280> stage<00:01:05.680> in
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quickly move on to the next stage in
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quickly move on to the next stage in
your<00:01:06.000> production
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your production
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your production
the<00:01:07.280> tweak<00:01:07.600> view<00:01:07.840> incorporates<00:01:08.640> a<00:01:08.799> spectral
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the tweak view incorporates a spectral
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the tweak view incorporates a spectral
analyzer<00:01:10.000> providing<00:01:10.479> further<00:01:10.799> visual
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analyzer providing further visual
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analyzer providing further visual
reference<00:01:11.520> to<00:01:11.680> aid<00:01:12.000> your<00:01:12.240> processing
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reference to aid your processing
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reference to aid your processing
decisions<00:01:13.840> this<00:01:14.000> week<00:01:14.240> also<00:01:14.640> hosts<00:01:14.960> a<00:01:15.119> series
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decisions this week also hosts a series
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decisions this week also hosts a series
of<00:01:15.840> professional<00:01:16.479> studio<00:01:16.960> standard<00:01:17.360> eq<00:01:17.840> tools
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of professional studio standard eq tools
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of professional studio standard eq tools
for<00:01:18.479> more<00:01:18.720> precise<00:01:19.360> processing<00:01:20.000> further<00:01:20.320> into
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for more precise processing further into
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for more precise processing further into
the<00:01:20.640> mix<00:01:20.960> process<00:01:21.759> the<00:01:21.840> mixview<00:01:22.400> enables<00:01:22.799> you
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the mix process the mixview enables you
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the mix process the mixview enables you
to<00:01:23.200> explore<00:01:23.680> the<00:01:23.759> interaction<00:01:24.320> and<00:01:24.560> frequency
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to explore the interaction and frequency
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to explore the interaction and frequency
collisions<00:01:25.600> between<00:01:26.159> tracks<00:01:26.960> with<00:01:27.360> visual
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collisions between tracks with visual
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collisions between tracks with visual
aids<00:01:28.000> to<00:01:28.080> help<00:01:28.240> you<00:01:28.400> understand<00:01:28.880> where
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aids to help you understand where
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aids to help you understand where
frequencies<00:01:29.840> and<00:01:30.000> resonance<00:01:30.479> are<00:01:30.720> competing
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frequencies and resonance are competing
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frequencies and resonance are competing
against<00:01:31.759> each<00:01:31.920> other<00:01:32.159> in<00:01:32.240> your<00:01:32.479> mix<00:01:33.040> we'll
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against each other in your mix we'll
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against each other in your mix we'll
explore<00:01:33.600> these<00:01:33.759> elements<00:01:34.159> in<00:01:34.240> more<00:01:34.479> detail
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explore these elements in more detail
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explore these elements in more detail
shortly<00:01:35.360> but<00:01:35.520> already<00:01:35.840> you<00:01:35.920> can<00:01:36.159> see<00:01:36.320> there's
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shortly but already you can see there's
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shortly but already you can see there's
a<00:01:36.720> lot<00:01:36.960> of<00:01:37.200> tools<00:01:37.680> in<00:01:37.759> this<00:01:38.000> plugin<00:01:38.400> they've
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a lot of tools in this plugin they've
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a lot of tools in this plugin they've
really<00:01:38.880> packed<00:01:39.200> a<00:01:39.360> lot<00:01:39.520> of<00:01:39.600> features<00:01:40.079> into
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really packed a lot of features into
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really packed a lot of features into
this
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this
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this
clara<00:01:41.520> also<00:01:41.759> features<00:01:42.159> auto-gain<00:01:42.880> like<00:01:43.360> no
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clara also features auto-gain like no
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clara also features auto-gain like no
other<00:01:44.240> instead<00:01:44.560> of<00:01:44.720> compensating<00:01:45.360> the<00:01:45.520> output
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other instead of compensating the output
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other instead of compensating the output
against<00:01:46.320> a<00:01:46.479> default<00:01:47.040> pink<00:01:47.360> noise<00:01:47.680> curve<00:01:48.000> like
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against a default pink noise curve like
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against a default pink noise curve like
some<00:01:48.479> other<00:01:48.640> plugins<00:01:49.200> claro<00:01:49.680> actually
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some other plugins claro actually
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some other plugins claro actually
considers<00:01:50.479> the<00:01:50.720> tonal<00:01:51.119> signature<00:01:51.680> of<00:01:51.759> the
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considers the tonal signature of the
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considers the tonal signature of the
track<00:01:52.479> your<00:01:52.720> track<00:01:53.040> will<00:01:53.200> maintain<00:01:53.759> its<00:01:54.000> level
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track your track will maintain its level
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track your track will maintain its level
regardless<00:01:55.040> of<00:01:55.119> whether<00:01:55.360> you're<00:01:55.520> cutting<00:01:55.920> or
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regardless of whether you're cutting or
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regardless of whether you're cutting or
boosting<00:01:56.640> frequencies<00:01:57.439> on<00:01:57.680> dark<00:01:58.159> bright<00:01:58.560> or
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boosting frequencies on dark bright or
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boosting frequencies on dark bright or
full<00:01:58.960> range<00:01:59.280> frequency<00:01:59.840> signals<00:02:00.719> you<00:02:00.880> can
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full range frequency signals you can
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full range frequency signals you can
turn<00:02:01.200> this<00:02:01.360> feature<00:02:01.680> off<00:02:01.920> at<00:02:02.079> any<00:02:02.320> time<00:02:02.560> and
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turn this feature off at any time and
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turn this feature off at any time and
also<00:02:03.040> freeze<00:02:03.520> the<00:02:03.680> auto<00:02:04.000> gain<00:02:04.320> which<00:02:04.560> is
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also freeze the auto gain which is
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also freeze the auto gain which is
particularly<00:02:05.280> useful<00:02:05.759> if<00:02:05.840> you're<00:02:06.079> automating
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particularly useful if you're automating
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particularly useful if you're automating
things<00:02:06.960> like<00:02:07.200> filter<00:02:07.520> sweeps<00:02:08.319> claro<00:02:08.800> boasts
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things like filter sweeps claro boasts
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things like filter sweeps claro boasts
advanced<00:02:09.599> mono<00:02:10.160> left<00:02:10.560> right<00:02:11.039> stereo<00:02:11.680> mid<00:02:12.160> and
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advanced mono left right stereo mid and
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advanced mono left right stereo mid and
side<00:02:12.800> only<00:02:13.040> filtering<00:02:13.599> options<00:02:14.000> as<00:02:14.160> well<00:02:14.319> as<00:02:14.480> a
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side only filtering options as well as a
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side only filtering options as well as a
width<00:02:14.959> view<00:02:15.440> to<00:02:15.599> quickly<00:02:16.000> create<00:02:16.319> space<00:02:16.720> while
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width view to quickly create space while
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width view to quickly create space while
you're<00:02:17.120> in<00:02:17.200> the<00:02:17.360> composition<00:02:18.000> production<00:02:18.560> or
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you're in the composition production or
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you're in the composition production or
early<00:02:19.040> stages<00:02:19.520> of<00:02:19.680> the<00:02:19.760> mix<00:02:20.400> the<00:02:20.560> final<00:02:20.959> tool
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early stages of the mix the final tool
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early stages of the mix the final tool
in<00:02:21.280> claro's<00:02:21.760> powerful<00:02:22.239> arsenal<00:02:22.640> is<00:02:22.800> a
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in claro's powerful arsenal is a
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in claro's powerful arsenal is a
multi-track<00:02:23.680> workspace<00:02:24.560> where<00:02:24.800> multiple
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multi-track workspace where multiple
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multi-track workspace where multiple
instances<00:02:25.920> of<00:02:26.000> the<00:02:26.160> plug-in<00:02:26.560> on<00:02:26.720> different
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instances of the plug-in on different
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instances of the plug-in on different
channels<00:02:27.680> communicate<00:02:28.319> with<00:02:28.480> each<00:02:28.720> other<00:02:29.120> to
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channels communicate with each other to
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channels communicate with each other to
help<00:02:29.440> you<00:02:29.680> visualize<00:02:30.160> how<00:02:30.400> your<00:02:30.640> audio
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help you visualize how your audio
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help you visualize how your audio
channels<00:02:31.519> are<00:02:31.760> interacting<00:02:32.720> in<00:02:32.800> the<00:02:32.959> context
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channels are interacting in the context
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channels are interacting in the context
of<00:02:33.680> a<00:02:33.760> full<00:02:34.000> mix<00:02:34.400> to<00:02:34.560> help<00:02:34.720> you<00:02:34.800> make<00:02:35.040> even<00:02:35.440> more
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of a full mix to help you make even more
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of a full mix to help you make even more
refined<00:02:36.319> processing<00:02:36.879> decisions
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refined processing decisions
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refined processing decisions
so<00:02:38.160> let's<00:02:38.319> take<00:02:38.560> a<00:02:38.640> closer<00:02:38.959> look<00:02:39.200> at<00:02:39.360> these
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so let's take a closer look at these
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so let's take a closer look at these
sections<00:02:40.239> the<00:02:40.400> primary<00:02:40.800> focus<00:02:41.200> of<00:02:41.280> the
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sections the primary focus of the
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sections the primary focus of the
produce<00:02:41.840> view<00:02:42.080> is<00:02:42.160> to<00:02:42.239> help<00:02:42.480> you<00:02:42.720> achieve<00:02:43.040> the
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produce view is to help you achieve the
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produce view is to help you achieve the
desired<00:02:43.760> tonal<00:02:44.239> shaping<00:02:44.879> quickly<00:02:45.360> and
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desired tonal shaping quickly and
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desired tonal shaping quickly and
effectively<00:02:46.400> without<00:02:46.800> getting<00:02:47.120> bogged<00:02:47.440> down
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effectively without getting bogged down
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effectively without getting bogged down
in<00:02:47.920> precise<00:02:48.640> mixing<00:02:49.440> sonox<00:02:49.920> wants<00:02:50.160> you<00:02:50.319> to
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in precise mixing sonox wants you to
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in precise mixing sonox wants you to
retain<00:02:50.959> focus<00:02:51.360> on<00:02:51.519> the<00:02:51.680> creative<00:02:52.319> process<00:02:52.959> i
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retain focus on the creative process i
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retain focus on the creative process i
remember<00:02:53.360> when<00:02:53.519> i<00:02:53.680> started<00:02:54.319> recording<00:02:54.800> and
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remember when i started recording and
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remember when i started recording and
mixing<00:02:55.280> i'd<00:02:55.519> dive<00:02:55.840> into<00:02:56.160> the<00:02:56.319> eq<00:02:56.720> and<00:02:56.879> focus<00:02:57.200> on
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mixing i'd dive into the eq and focus on
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mixing i'd dive into the eq and focus on
tiny<00:02:58.080> little<00:02:58.400> details<00:02:59.280> make<00:02:59.599> big<00:02:59.840> notches<00:03:00.319> and
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tiny little details make big notches and
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tiny little details make big notches and
stuff<00:03:00.640> which<00:03:00.800> would<00:03:00.959> ultimately<00:03:01.440> result<00:03:01.840> in<00:03:02.000> a
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stuff which would ultimately result in a
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stuff which would ultimately result in a
thin<00:03:02.560> sound<00:03:03.040> but<00:03:03.280> more<00:03:03.519> importantly<00:03:04.000> i<00:03:04.159> was
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thin sound but more importantly i was
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thin sound but more importantly i was
losing<00:03:04.879> focus<00:03:05.280> of<00:03:05.360> the<00:03:05.519> bigger<00:03:05.920> picture<00:03:06.560> and
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losing focus of the bigger picture and
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losing focus of the bigger picture and
not<00:03:06.959> plowing<00:03:07.360> on<00:03:07.519> with<00:03:07.680> the<00:03:07.760> recording<00:03:08.480> with
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not plowing on with the recording with
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not plowing on with the recording with
this<00:03:08.879> in<00:03:08.959> mind<00:03:09.280> a<00:03:09.360> purposefully<00:03:09.920> limited<00:03:10.400> set
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this in mind a purposefully limited set
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this in mind a purposefully limited set
of<00:03:10.800> three<00:03:11.040> eq<00:03:11.519> filters<00:03:12.000> provide<00:03:12.400> broad<00:03:12.800> tonal
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of three eq filters provide broad tonal
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of three eq filters provide broad tonal
shaping<00:03:13.920> as<00:03:14.000> well<00:03:14.159> as<00:03:14.319> a<00:03:14.480> high<00:03:14.720> and<00:03:14.959> low<00:03:15.280> cut
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shaping as well as a high and low cut
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shaping as well as a high and low cut
hovering<00:03:16.159> the<00:03:16.239> cursor<00:03:16.720> over<00:03:16.959> each<00:03:17.280> processor
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hovering the cursor over each processor
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hovering the cursor over each processor
displays<00:03:18.400> a<00:03:18.480> selection<00:03:18.959> of<00:03:19.120> set<00:03:19.360> frequency
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displays a selection of set frequency
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displays a selection of set frequency
options<00:03:20.319> to<00:03:20.480> choose<00:03:20.720> from<00:03:21.360> these<00:03:21.599> have<00:03:21.760> been
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options to choose from these have been
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options to choose from these have been
inspired<00:03:22.480> by<00:03:22.800> various<00:03:23.200> popular<00:03:23.599> analog<00:03:24.159> eqs
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inspired by various popular analog eqs
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inspired by various popular analog eqs
and<00:03:24.879> offer<00:03:25.120> frequently<00:03:25.680> used<00:03:26.080> starting
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and offer frequently used starting
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and offer frequently used starting
points<00:03:27.280> simply<00:03:27.599> select<00:03:28.000> one<00:03:28.400> then<00:03:28.640> click<00:03:28.959> and
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points simply select one then click and
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points simply select one then click and
drag<00:03:29.360> the<00:03:29.519> cursor<00:03:29.920> for<00:03:30.080> additive<00:03:30.560> or
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drag the cursor for additive or
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drag the cursor for additive or
subtractive<00:03:31.440> eq
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subtractive eq
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subtractive eq
each<00:03:32.879> of<00:03:33.040> these<00:03:33.280> is<00:03:33.440> linked<00:03:33.680> to<00:03:33.760> a<00:03:33.920> slider
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each of these is linked to a slider
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each of these is linked to a slider
along<00:03:34.640> the<00:03:34.720> top<00:03:35.040> which<00:03:35.280> can<00:03:35.440> also<00:03:35.680> be<00:03:35.840> used<00:03:36.080> to
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along the top which can also be used to
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along the top which can also be used to
further<00:03:36.640> fine-tune<00:03:37.200> the<00:03:37.360> filter<00:03:37.680> parameters
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further fine-tune the filter parameters
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further fine-tune the filter parameters
above<00:03:39.599> this<00:03:39.760> horizontal<00:03:40.400> line<00:03:40.640> you'll<00:03:40.799> notice
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above this horizontal line you'll notice
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above this horizontal line you'll notice
combinations<00:03:41.760> of<00:03:41.920> descriptive<00:03:42.560> words<00:03:42.879> to
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combinations of descriptive words to
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combinations of descriptive words to
help<00:03:43.200> you<00:03:43.440> identify<00:03:44.239> tonal<00:03:44.720> elements<00:03:45.120> of<00:03:45.200> your
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help you identify tonal elements of your
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help you identify tonal elements of your
audio<00:03:46.080> and<00:03:46.239> where<00:03:46.400> these<00:03:46.640> occur<00:03:47.040> in<00:03:47.120> the
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audio and where these occur in the
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audio and where these occur in the
frequency<00:03:47.920> spectrum<00:03:48.879> if<00:03:48.959> you're<00:03:49.200> new<00:03:49.360> to
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frequency spectrum if you're new to
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frequency spectrum if you're new to
music<00:03:49.920> production<00:03:50.480> this<00:03:50.640> is<00:03:50.799> a<00:03:50.879> fantastic<00:03:51.599> way
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music production this is a fantastic way
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music production this is a fantastic way
of<00:03:52.080> improving<00:03:52.480> your<00:03:52.720> eq<00:03:53.200> intuition<00:03:53.840> without
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of improving your eq intuition without
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of improving your eq intuition without
having<00:03:54.400> to<00:03:54.560> rely<00:03:54.959> on<00:03:55.280> complex<00:03:55.840> terminology
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having to rely on complex terminology
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having to rely on complex terminology
but<00:03:56.959> even<00:03:57.120> if<00:03:57.200> you're<00:03:57.439> an<00:03:57.599> experienced<00:03:58.319> audio
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but even if you're an experienced audio
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but even if you're an experienced audio
engineer<00:03:59.120> these<00:03:59.280> are<00:03:59.519> really<00:03:59.840> helpful<00:04:00.319> when
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engineer these are really helpful when
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engineer these are really helpful when
you're<00:04:00.640> in<00:04:00.799> the<00:04:00.879> creative<00:04:01.360> mindset<00:04:01.920> or
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you're in the creative mindset or
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you're in the creative mindset or
communicating<00:04:02.879> with<00:04:03.120> clients<00:04:03.920> for<00:04:04.159> example
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communicating with clients for example
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communicating with clients for example
if<00:04:04.959> i<00:04:05.120> say<00:04:05.519> the<00:04:05.680> bass<00:04:05.920> at<00:04:06.000> 180<00:04:06.720> hertz<00:04:07.040> is<00:04:07.200> too
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if i say the bass at 180 hertz is too
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if i say the bass at 180 hertz is too
prominent<00:04:08.400> not<00:04:08.640> everyone's<00:04:08.959> going<00:04:09.040> to
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prominent not everyone's going to
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prominent not everyone's going to
understand<00:04:09.599> that<00:04:09.760> but<00:04:09.920> if<00:04:10.080> you<00:04:10.239> say<00:04:10.560> oh<00:04:10.720> it
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understand that but if you say oh it
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understand that but if you say oh it
sounds<00:04:11.120> a<00:04:11.200> bit<00:04:11.360> muddy<00:04:11.760> or<00:04:11.840> the<00:04:12.000> client<00:04:12.239> says<00:04:12.480> it
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sounds a bit muddy or the client says it
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sounds a bit muddy or the client says it
sounds<00:04:12.879> a<00:04:12.959> bit<00:04:13.120> muddy<00:04:13.680> that's<00:04:13.920> where<00:04:14.080> you<00:04:14.239> can
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sounds a bit muddy that's where you can
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sounds a bit muddy that's where you can
use<00:04:14.799> this<00:04:15.040> graph<00:04:15.360> and<00:04:15.519> use<00:04:15.760> these<00:04:16.000> words<00:04:16.320> to
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use this graph and use these words to
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use this graph and use these words to
isolate<00:04:17.040> exactly<00:04:17.759> what<00:04:17.919> you<00:04:18.000> need<00:04:18.160> to<00:04:18.400> adapt
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isolate exactly what you need to adapt
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isolate exactly what you need to adapt
with<00:04:18.959> the<00:04:19.040> eq<00:04:19.680> to<00:04:19.840> demonstrate<00:04:20.400> this<00:04:20.560> listen
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with the eq to demonstrate this listen
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with the eq to demonstrate this listen
to<00:04:20.959> how<00:04:21.199> boosting<00:04:21.759> the<00:04:21.919> corresponding<00:04:22.720> region
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to how boosting the corresponding region
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to how boosting the corresponding region
on<00:04:23.199> the<00:04:23.360> bass<00:04:23.759> adds<00:04:24.080> warmth<00:04:24.639> but<00:04:24.960> too<00:04:25.199> much<00:04:25.520> and
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on the bass adds warmth but too much and
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on the bass adds warmth but too much and
it<00:04:25.840> clutters<00:04:26.320> and<00:04:26.560> muddies<00:04:26.960> the<00:04:27.120> mix<00:04:27.680> and<00:04:27.840> if
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it clutters and muddies the mix and if
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it clutters and muddies the mix and if
we<00:04:28.160> try<00:04:28.479> cutting<00:04:28.960> this<00:04:29.199> region<00:04:29.520> you'll<00:04:29.680> hear<00:04:29.840> a
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we try cutting this region you'll hear a
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we try cutting this region you'll hear a
lot<00:04:30.080> of<00:04:30.160> the<00:04:30.320> muddy<00:04:30.639> confusion<00:04:31.280> is<00:04:31.440> cleared
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lot of the muddy confusion is cleared
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lot of the muddy confusion is cleared
out<00:04:31.840> of<00:04:31.919> the<00:04:32.000> mix
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[Music]
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[Music]
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[Music]
[Applause]
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[Applause]
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[Applause]
[Music]
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[Music]
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[Music]
[Applause]
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[Applause]
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[Applause]
[Music]
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the<00:05:01.759> shelf<00:05:02.080> tabs<00:05:02.320> toggle<00:05:02.639> between<00:05:02.960> high<00:05:03.199> and
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the shelf tabs toggle between high and
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the shelf tabs toggle between high and
low<00:05:03.680> processors<00:05:04.320> being<00:05:04.639> set<00:05:04.880> to<00:05:05.039> bell<00:05:05.360> filters
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low processors being set to bell filters
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low processors being set to bell filters
or<00:05:06.080> shelves<00:05:06.880> these<00:05:07.120> shelves<00:05:07.440> sound<00:05:07.840> super
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or shelves these shelves sound super
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or shelves these shelves sound super
musical<00:05:09.120> very<00:05:09.360> clean<00:05:09.759> and<00:05:09.919> great<00:05:10.160> for
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musical very clean and great for
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musical very clean and great for
cleaning<00:05:10.639> up<00:05:10.800> muddiness<00:05:11.280> or<00:05:11.520> harshness<00:05:12.160> while
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cleaning up muddiness or harshness while
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cleaning up muddiness or harshness while
adding<00:05:12.720> low<00:05:12.960> end<00:05:13.199> weight<00:05:13.520> or<00:05:13.759> air
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adding low end weight or air
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adding low end weight or air
respectively
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respectively
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respectively
on<00:05:15.520> stereo<00:05:16.000> tracks<00:05:16.320> a<00:05:16.400> tone<00:05:16.720> slash<00:05:17.120> width
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on stereo tracks a tone slash width
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on stereo tracks a tone slash width
button<00:05:17.759> appears<00:05:18.160> in<00:05:18.240> the<00:05:18.400> plug-in<00:05:18.800> footer
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button appears in the plug-in footer
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button appears in the plug-in footer
toggle<00:05:19.759> it<00:05:19.840> to<00:05:20.000> switch<00:05:20.320> between<00:05:20.720> overall
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toggle it to switch between overall
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toggle it to switch between overall
stereo<00:05:21.680> tone<00:05:22.000> shaping<00:05:22.479> and<00:05:22.639> stereo<00:05:23.120> width
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stereo tone shaping and stereo width
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stereo tone shaping and stereo width
shaping
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shaping
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shaping
the<00:05:24.639> produced<00:05:25.120> spectral<00:05:25.600> analyzer<00:05:26.160> shows<00:05:26.400> you
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the produced spectral analyzer shows you
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the produced spectral analyzer shows you
where<00:05:26.720> the<00:05:26.800> energy<00:05:27.199> exists<00:05:27.680> without
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where the energy exists without
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where the energy exists without
distracting<00:05:28.639> you<00:05:28.800> with<00:05:29.039> short-term<00:05:29.759> peaks
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distracting you with short-term peaks
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distracting you with short-term peaks
brighter<00:05:31.039> sections<00:05:31.520> display<00:05:32.000> prominent
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brighter sections display prominent
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brighter sections display prominent
frequency<00:05:33.120> ranges<00:05:33.520> and<00:05:33.600> the<00:05:33.759> darker<00:05:34.160> areas
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frequency ranges and the darker areas
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frequency ranges and the darker areas
represent<00:05:35.039> little<00:05:35.360> or<00:05:35.600> no<00:05:35.840> sound<00:05:36.240> energy<00:05:36.960> when
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represent little or no sound energy when
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represent little or no sound energy when
using<00:05:37.520> mid<00:05:37.759> and<00:05:38.000> side<00:05:38.320> width<00:05:38.560> parameters
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using mid and side width parameters
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using mid and side width parameters
bright<00:05:39.680> meter<00:05:40.000> sections<00:05:40.560> on<00:05:40.720> the<00:05:40.880> width<00:05:41.120> tab
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bright meter sections on the width tab
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bright meter sections on the width tab
show<00:05:41.680> regions<00:05:42.240> with<00:05:42.479> a<00:05:42.560> wide<00:05:42.880> stereo<00:05:43.360> image
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show regions with a wide stereo image
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show regions with a wide stereo image
while<00:05:44.240> dark<00:05:44.560> areas<00:05:44.960> show<00:05:45.120> where<00:05:45.360> the<00:05:45.520> signal
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while dark areas show where the signal
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while dark areas show where the signal
is<00:05:46.080> narrower<00:05:46.560> or<00:05:46.720> mono<00:05:47.520> the<00:05:47.680> tone<00:05:47.919> tab<00:05:48.160> is
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is narrower or mono the tone tab is
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is narrower or mono the tone tab is
designed<00:05:48.560> to<00:05:48.720> help<00:05:48.880> you<00:05:49.039> get<00:05:49.280> into<00:05:49.520> good
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designed to help you get into good
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designed to help you get into good
production<00:05:50.479> habits<00:05:50.960> by<00:05:51.120> using<00:05:51.440> broad<00:05:51.840> strokes
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production habits by using broad strokes
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production habits by using broad strokes
of<00:05:52.479> eq<00:05:53.199> to<00:05:53.360> shape<00:05:53.600> the<00:05:53.759> overall<00:05:54.160> tone<00:05:54.479> applies
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of eq to shape the overall tone applies
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of eq to shape the overall tone applies
to<00:05:54.960> the<00:05:55.120> full<00:05:55.360> stereo<00:05:55.919> spectrum<00:05:56.479> rather<00:05:56.800> than
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to the full stereo spectrum rather than
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to the full stereo spectrum rather than
getting<00:05:57.280> bogged<00:05:57.680> down<00:05:58.000> in<00:05:58.160> precise<00:05:58.800> cuts<00:05:59.120> and
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getting bogged down in precise cuts and
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getting bogged down in precise cuts and
notches<00:05:59.759> and<00:05:59.840> this<00:06:00.080> will<00:06:00.160> help<00:06:00.319> you<00:06:00.479> maintain
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notches and this will help you maintain
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notches and this will help you maintain
your<00:06:01.280> creative<00:06:01.759> workflow<00:06:02.639> the<00:06:02.800> width<00:06:03.039> tab
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your creative workflow the width tab
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your creative workflow the width tab
controls<00:06:03.759> the<00:06:03.919> side<00:06:04.319> energy<00:06:04.720> of<00:06:04.800> the<00:06:04.880> stereo
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controls the side energy of the stereo
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controls the side energy of the stereo
channels<00:06:06.000> for<00:06:06.160> example<00:06:06.639> focus<00:06:07.039> your<00:06:07.280> bass
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channels for example focus your bass
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channels for example focus your bass
channel<00:06:07.840> into<00:06:08.160> mono<00:06:08.479> by<00:06:08.639> introducing<00:06:09.199> a<00:06:09.360> low
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channel into mono by introducing a low
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channel into mono by introducing a low
cut<00:06:09.840> filter<00:06:10.240> on<00:06:10.319> the<00:06:10.639> sides<00:06:11.520> or<00:06:11.680> broaden<00:06:12.080> your
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cut filter on the sides or broaden your
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cut filter on the sides or broaden your
vocals<00:06:12.720> by<00:06:12.960> boosting<00:06:13.360> the<00:06:13.520> air<00:06:13.759> frequencies
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vocals by boosting the air frequencies
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vocals by boosting the air frequencies
on<00:06:14.560> the<00:06:14.720> sides
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on the sides
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on the sides
moving<00:06:16.960> on<00:06:17.039> to<00:06:17.199> the<00:06:17.360> tweak<00:06:17.680> view<00:06:17.919> and<00:06:18.000> you'll
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moving on to the tweak view and you'll
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moving on to the tweak view and you'll
notice<00:06:18.639> any<00:06:18.880> filtering<00:06:19.360> we<00:06:19.520> applied<00:06:19.919> in<00:06:20.080> the
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notice any filtering we applied in the
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notice any filtering we applied in the
produce<00:06:20.800> view<00:06:21.360> will<00:06:21.520> be<00:06:21.759> viewable<00:06:22.560> if<00:06:22.720> we
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produce view will be viewable if we
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produce view will be viewable if we
toggle<00:06:23.199> between<00:06:23.440> the<00:06:23.600> two<00:06:23.759> windows<00:06:24.240> changes
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toggle between the two windows changes
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toggle between the two windows changes
can<00:06:24.720> be<00:06:24.880> made<00:06:25.120> in<00:06:25.280> either<00:06:25.680> section<00:06:26.080> and<00:06:26.160> will
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can be made in either section and will
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can be made in either section and will
be<00:06:26.479> applied<00:06:26.880> and<00:06:27.039> visible<00:06:27.520> in<00:06:27.600> both<00:06:27.919> sections
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be applied and visible in both sections
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be applied and visible in both sections
tweak<00:06:28.800> view<00:06:28.960> is<00:06:29.039> where<00:06:29.199> we<00:06:29.360> can<00:06:29.520> operate
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tweak view is where we can operate
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tweak view is where we can operate
precise<00:06:30.720> surgical<00:06:31.360> filtering<00:06:31.919> and<00:06:32.000> claro<00:06:32.400> has
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precise surgical filtering and claro has
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precise surgical filtering and claro has
all<00:06:32.880> the<00:06:33.120> professional<00:06:33.840> tools<00:06:34.160> we<00:06:34.319> need<00:06:34.560> to<00:06:34.639> do
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all the professional tools we need to do
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all the professional tools we need to do
this<00:06:35.120> such<00:06:35.440> as<00:06:35.600> filter<00:06:35.919> slopes<00:06:36.319> as<00:06:36.479> steep<00:06:36.720> as
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this such as filter slopes as steep as
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this such as filter slopes as steep as
120<00:06:37.919> decibels<00:06:38.560> per<00:06:38.800> octave<00:06:39.520> as<00:06:39.759> in<00:06:39.840> produced
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120 decibels per octave as in produced
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120 decibels per octave as in produced
view<00:06:40.479> along<00:06:40.800> the<00:06:40.880> top<00:06:41.039> we<00:06:41.199> have<00:06:41.280> a<00:06:41.360> series<00:06:41.680> of
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view along the top we have a series of
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view along the top we have a series of
positive<00:06:42.319> descriptive<00:06:42.880> words<00:06:43.199> to<00:06:43.280> help<00:06:43.520> us
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positive descriptive words to help us
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positive descriptive words to help us
identify<00:06:44.400> desirable<00:06:44.960> qualities<00:06:45.520> in<00:06:45.600> the
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identify desirable qualities in the
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identify desirable qualities in the
audio
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audio
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audio
boosting<00:06:47.120> in<00:06:47.199> these<00:06:47.440> ranges<00:06:47.759> will<00:06:47.919> give<00:06:48.160> us<00:06:48.319> a
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boosting in these ranges will give us a
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boosting in these ranges will give us a
desired<00:06:49.039> tonal<00:06:49.440> effect<00:06:50.240> we<00:06:50.479> also<00:06:50.639> have
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desired tonal effect we also have
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desired tonal effect we also have
another<00:06:51.120> series<00:06:51.440> of<00:06:51.520> descriptive<00:06:52.080> prompts
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another series of descriptive prompts
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another series of descriptive prompts
along<00:06:52.720> the<00:06:52.880> bottom<00:06:53.280> indicating<00:06:53.919> less
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along the bottom indicating less
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along the bottom indicating less
desirable<00:06:54.800> tonal<00:06:55.199> attributes<00:06:56.080> cutting<00:06:56.400> in
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desirable tonal attributes cutting in
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desirable tonal attributes cutting in
these<00:06:56.720> ranges<00:06:57.039> will<00:06:57.199> help<00:06:57.440> remove<00:06:57.919> these
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these ranges will help remove these
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these ranges will help remove these
tonal<00:06:58.560> qualities<00:06:59.120> from<00:06:59.360> our<00:06:59.599> audio<00:07:00.319> for
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tonal qualities from our audio for
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tonal qualities from our audio for
example<00:07:00.960> on<00:07:01.120> this<00:07:01.360> master<00:07:01.840> bus<00:07:02.080> for<00:07:02.160> a<00:07:02.240> track
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example on this master bus for a track
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example on this master bus for a track
i'm<00:07:02.639> working<00:07:02.960> on<00:07:03.120> at<00:07:03.199> the<00:07:03.280> moment<00:07:03.599> i<00:07:03.759> can<00:07:03.919> boost
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i'm working on at the moment i can boost
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i'm working on at the moment i can boost
the<00:07:04.400> warmth
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the warmth
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the warmth
[Music]
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[Music]
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[Music]
[Applause]
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[Applause]
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[Applause]
[Music]
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or<00:07:15.680> i<00:07:15.759> can<00:07:15.919> cut<00:07:16.080> the<00:07:16.240> mud
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[Music]
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[Music]
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[Music]
[Applause]
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[Applause]
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[Applause]
[Music]
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[Music]
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[Music]
and<00:07:26.319> i<00:07:26.400> can<00:07:26.639> boost<00:07:26.880> the<00:07:27.039> definition
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and i can boost the definition
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and i can boost the definition
[Music]
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[Music]
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[Music]
or<00:07:37.039> i<00:07:37.120> can<00:07:37.360> cut<00:07:37.520> the<00:07:37.599> harshness
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or i can cut the harshness
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or i can cut the harshness
[Music]
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[Music]
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[Music]
[Applause]
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the<00:07:48.080> real-time<00:07:48.639> spectral<00:07:49.120> metering<00:07:49.599> in<00:07:49.759> tweak
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the real-time spectral metering in tweak
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the real-time spectral metering in tweak
is<00:07:50.400> different<00:07:50.800> to<00:07:51.039> produce<00:07:51.759> it<00:07:51.919> displays<00:07:52.400> a
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is different to produce it displays a
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is different to produce it displays a
visual<00:07:52.879> representation<00:07:53.599> of<00:07:53.680> the<00:07:53.919> sound
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visual representation of the sound
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visual representation of the sound
energy<00:07:54.560> in<00:07:54.720> blue<00:07:55.120> which<00:07:55.360> follows<00:07:55.759> your
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energy in blue which follows your
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energy in blue which follows your
intentions<00:07:57.039> changing<00:07:57.360> the<00:07:57.520> speed<00:07:57.919> and
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intentions changing the speed and
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intentions changing the speed and
smoothness<00:07:58.879> as<00:07:59.039> you<00:07:59.199> make<00:07:59.520> changes
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smoothness as you make changes
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smoothness as you make changes
for<00:08:00.639> example<00:08:00.960> if<00:08:01.120> you're<00:08:01.280> doing<00:08:01.440> broader
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for example if you're doing broader
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for example if you're doing broader
tonal<00:08:02.400> changes<00:08:02.879> the<00:08:02.960> analyzer<00:08:03.599> is<00:08:03.759> smooth<00:08:04.240> and
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tonal changes the analyzer is smooth and
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tonal changes the analyzer is smooth and
slow
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slow
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slow
but<00:08:06.080> if<00:08:06.160> you're<00:08:06.319> making<00:08:06.639> more<00:08:06.879> surgical
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but if you're making more surgical
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but if you're making more surgical
notches<00:08:07.840> the<00:08:07.919> analyzer<00:08:08.400> becomes<00:08:08.800> more
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notches the analyzer becomes more
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notches the analyzer becomes more
responsive<00:08:09.759> and<00:08:09.919> detailed<00:08:10.879> resonating
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responsive and detailed resonating
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responsive and detailed resonating
frequencies<00:08:12.160> or<00:08:12.400> frequency<00:08:12.879> hotspots<00:08:13.440> are
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frequencies or frequency hotspots are
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frequencies or frequency hotspots are
highlighted<00:08:14.160> in<00:08:14.400> blue<00:08:14.960> this<00:08:15.199> visual<00:08:15.599> aid
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highlighted in blue this visual aid
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highlighted in blue this visual aid
allows<00:08:16.080> us<00:08:16.240> to<00:08:16.400> target<00:08:16.800> problem<00:08:17.120> areas
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allows us to target problem areas
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allows us to target problem areas
quickly<00:08:17.919> without<00:08:18.240> having<00:08:18.479> to<00:08:18.720> sweep<00:08:19.120> and<00:08:19.280> scan
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quickly without having to sweep and scan
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quickly without having to sweep and scan
for<00:08:19.840> the<00:08:20.000> problem<00:08:20.319> areas
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for the problem areas
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for the problem areas
below<00:08:21.759> the<00:08:21.840> descriptive<00:08:22.400> words<00:08:22.720> at<00:08:22.800> the<00:08:22.879> top
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below the descriptive words at the top
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below the descriptive words at the top
of<00:08:23.199> the<00:08:23.360> window<00:08:23.680> is<00:08:23.759> a<00:08:23.840> piano<00:08:24.319> roll<00:08:24.479> which
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of the window is a piano roll which
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of the window is a piano roll which
indicates<00:08:25.280> the<00:08:25.440> notes<00:08:25.759> our<00:08:26.000> eq<00:08:26.479> points<00:08:26.800> are
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indicates the notes our eq points are
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indicates the notes our eq points are
centered<00:08:27.520> to<00:08:27.919> giving<00:08:28.240> musical<00:08:28.800> context<00:08:29.680> and
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centered to giving musical context and
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centered to giving musical context and
it's<00:08:30.080> great<00:08:30.400> for<00:08:30.560> those<00:08:30.800> lucky<00:08:31.199> people<00:08:31.520> with
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it's great for those lucky people with
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it's great for those lucky people with
perfect<00:08:32.159> pitch
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perfect pitch
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perfect pitch
by<00:08:33.919> selecting<00:08:34.320> an<00:08:34.479> eq<00:08:34.959> node<00:08:35.279> and<00:08:35.599> right
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by selecting an eq node and right
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by selecting an eq node and right
clicking<00:08:36.479> we<00:08:36.640> can<00:08:36.800> choose<00:08:37.120> the<00:08:37.200> type<00:08:37.440> of
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clicking we can choose the type of
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clicking we can choose the type of
filter<00:08:37.919> we<00:08:38.080> want<00:08:38.240> to<00:08:38.399> work<00:08:38.640> with<00:08:39.120> cuts<00:08:39.599> shelves
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filter we want to work with cuts shelves
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filter we want to work with cuts shelves
or<00:08:40.240> bell<00:08:40.560> shapes<00:08:41.039> and<00:08:41.279> which<00:08:41.519> part<00:08:41.760> of<00:08:41.839> the
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or bell shapes and which part of the
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or bell shapes and which part of the
signal<00:08:42.399> we're<00:08:42.640> processing<00:08:43.440> the<00:08:43.599> mid<00:08:44.000> sides
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signal we're processing the mid sides
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signal we're processing the mid sides
left<00:08:44.880> or<00:08:45.040> right<00:08:45.279> or<00:08:45.440> the<00:08:45.519> full<00:08:45.760> stereo
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left or right or the full stereo
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left or right or the full stereo
spectrum
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spectrum
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spectrum
we<00:08:47.839> can<00:08:48.000> even<00:08:48.240> split<00:08:48.560> the<00:08:48.640> left<00:08:48.959> and<00:08:49.120> right
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we can even split the left and right
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we can even split the left and right
sides<00:08:49.760> of<00:08:49.839> the<00:08:50.000> signal<00:08:50.399> should<00:08:50.640> we<00:08:50.800> want<00:08:51.040> to
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sides of the signal should we want to
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sides of the signal should we want to
process<00:08:51.680> the<00:08:51.760> eq<00:08:52.240> differently<00:08:52.640> on<00:08:52.800> each<00:08:53.040> side
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process the eq differently on each side
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process the eq differently on each side
the<00:08:53.920> eq<00:08:54.399> split<00:08:54.720> is<00:08:54.880> a<00:08:55.040> powerful<00:08:55.600> tool<00:08:55.839> for
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the eq split is a powerful tool for
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the eq split is a powerful tool for
mastering<00:08:56.959> floating<00:08:57.360> controls<00:08:57.920> allow<00:08:58.320> the
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mastering floating controls allow the
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mastering floating controls allow the
user<00:08:58.800> to<00:08:58.959> adjust<00:08:59.519> the<00:08:59.760> following<00:09:00.160> options
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user to adjust the following options
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user to adjust the following options
gain<00:09:01.440> by<00:09:01.680> selecting<00:09:02.080> the<00:09:02.240> eq<00:09:02.800> node<00:09:03.120> and
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gain by selecting the eq node and
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gain by selecting the eq node and
dragging<00:09:03.760> it<00:09:03.920> vertically<00:09:04.480> to<00:09:04.640> adjust<00:09:04.959> the
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dragging it vertically to adjust the
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dragging it vertically to adjust the
band's<00:09:05.519> gain<00:09:05.839> without<00:09:06.320> adjusting<00:09:06.720> the
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band's gain without adjusting the
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band's gain without adjusting the
frequency<00:09:07.839> or<00:09:08.000> double<00:09:08.320> click<00:09:08.560> on<00:09:08.640> the
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frequency or double click on the
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frequency or double click on the
floating<00:09:09.200> value<00:09:09.440> to<00:09:09.600> enter<00:09:09.839> parameters
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floating value to enter parameters
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floating value to enter parameters
manually
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manually
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manually
select<00:09:12.160> an<00:09:12.320> eq<00:09:12.720> node<00:09:12.959> and<00:09:13.120> slide<00:09:13.440> horizontally
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select an eq node and slide horizontally
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select an eq node and slide horizontally
to<00:09:14.320> adjust<00:09:14.640> the<00:09:14.800> frequency<00:09:15.360> or<00:09:15.519> note<00:09:15.839> without
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to adjust the frequency or note without
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to adjust the frequency or note without
adjusting<00:09:16.640> the<00:09:16.800> gain
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adjusting the gain
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adjusting the gain
the<00:09:18.160> shelves<00:09:18.560> can<00:09:18.640> be<00:09:18.800> set<00:09:19.040> to<00:09:19.279> varying
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the shelves can be set to varying
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the shelves can be set to varying
degrees<00:09:20.080> of<00:09:20.240> roll<00:09:20.480> off<00:09:20.640> using<00:09:20.880> the<00:09:21.040> vertical
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degrees of roll off using the vertical
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degrees of roll off using the vertical
slider<00:09:22.080> all<00:09:22.240> the<00:09:22.240> way<00:09:22.399> up<00:09:22.480> to<00:09:22.680> 120<00:09:23.680> decibels
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slider all the way up to 120 decibels
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slider all the way up to 120 decibels
per<00:09:24.640> octave<00:09:25.200> resulting<00:09:25.680> in<00:09:25.839> a<00:09:25.920> brick<00:09:26.240> wall
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per octave resulting in a brick wall
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per octave resulting in a brick wall
filter
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filter
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filter
the<00:09:27.920> width<00:09:28.240> of<00:09:28.399> each<00:09:28.560> eq<00:09:29.040> node<00:09:29.279> can<00:09:29.440> be
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the width of each eq node can be
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the width of each eq node can be
adjusted<00:09:30.080> using<00:09:30.399> the<00:09:30.480> vertical<00:09:31.040> slider<00:09:31.760> and
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adjusted using the vertical slider and
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adjusted using the vertical slider and
the<00:09:32.080> shape<00:09:32.320> of<00:09:32.480> each<00:09:32.720> eq<00:09:33.120> node<00:09:33.360> can<00:09:33.519> be
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the shape of each eq node can be
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the shape of each eq node can be
adjusted<00:09:34.160> to<00:09:34.320> create<00:09:34.640> precise<00:09:35.200> eq<00:09:35.760> curves
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adjusted to create precise eq curves
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adjusted to create precise eq curves
bells<00:09:36.640> and<00:09:36.800> rectangular<00:09:37.600> shapes
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bells and rectangular shapes
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bells and rectangular shapes
listen<00:09:38.880> mode<00:09:39.120> can<00:09:39.279> be<00:09:39.360> implemented<00:09:39.920> to<00:09:40.160> solo
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listen mode can be implemented to solo
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listen mode can be implemented to solo
each<00:09:40.800> filter<00:09:41.200> point<00:09:41.440> by<00:09:41.680> option<00:09:42.080> clicking<00:09:42.480> on
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each filter point by option clicking on
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each filter point by option clicking on
the<00:09:42.720> eq<00:09:43.120> node<00:09:43.360> you<00:09:43.440> wish<00:09:43.680> to<00:09:43.839> solo<00:09:44.480> or<00:09:44.720> clicking
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the eq node you wish to solo or clicking
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the eq node you wish to solo or clicking
on<00:09:45.200> and<00:09:45.440> holding<00:09:45.760> the<00:09:45.839> headphone<00:09:46.399> icon
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on and holding the headphone icon
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on and holding the headphone icon
this<00:09:47.760> is<00:09:47.839> particularly<00:09:48.399> useful<00:09:48.800> for<00:09:48.959> sliding
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this is particularly useful for sliding
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this is particularly useful for sliding
across<00:09:49.839> the<00:09:49.920> spectrum<00:09:50.399> to<00:09:50.560> identify<00:09:51.279> problem
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across the spectrum to identify problem
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across the spectrum to identify problem
areas<00:09:52.000> again<00:09:52.560> the<00:09:52.720> visual<00:09:53.120> aid<00:09:53.360> of<00:09:53.440> the<00:09:53.600> before
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areas again the visual aid of the before
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areas again the visual aid of the before
and<00:09:54.240> after<00:09:54.560> curves<00:09:54.880> are<00:09:55.040> very<00:09:55.279> useful<00:09:56.080> when
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and after curves are very useful when
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and after curves are very useful when
processing<00:09:56.880> audio<00:09:57.279> claro<00:09:57.760> displays<00:09:58.320> both<00:09:58.640> the
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processing audio claro displays both the
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processing audio claro displays both the
outline<00:09:59.200> of<00:09:59.279> the<00:09:59.440> original<00:10:00.000> signal<00:10:00.399> eq<00:10:00.880> and
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outline of the original signal eq and
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outline of the original signal eq and
the<00:10:01.120> resulting<00:10:01.839> processed<00:10:02.399> eq<00:10:03.200> moving<00:10:03.519> on<00:10:03.600> to
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the resulting processed eq moving on to
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the resulting processed eq moving on to
the<00:10:03.839> final<00:10:04.240> view<00:10:04.480> mode<00:10:04.720> and<00:10:04.880> this<00:10:05.040> is<00:10:05.120> where
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the final view mode and this is where
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the final view mode and this is where
this<00:10:05.519> plug-in<00:10:05.920> gets<00:10:06.320> very<00:10:06.800> interesting<00:10:07.839> by
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this plug-in gets very interesting by
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this plug-in gets very interesting by
assigning<00:10:08.480> multiple<00:10:09.120> instances<00:10:09.680> of<00:10:09.760> claro
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assigning multiple instances of claro
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assigning multiple instances of claro
onto<00:10:10.560> different<00:10:10.959> channels<00:10:11.440> we<00:10:11.600> can<00:10:11.760> link<00:10:12.000> the
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onto different channels we can link the
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onto different channels we can link the
eq<00:10:12.640> and<00:10:12.800> assess<00:10:13.200> how<00:10:13.519> all<00:10:13.680> of<00:10:13.760> the<00:10:13.920> tracks<00:10:14.320> are
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eq and assess how all of the tracks are
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eq and assess how all of the tracks are
working<00:10:14.800> in<00:10:14.880> relation<00:10:15.360> to<00:10:15.600> each<00:10:15.760> other<00:10:16.399> to<00:10:16.560> do
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working in relation to each other to do
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working in relation to each other to do
this<00:10:16.880> quickly<00:10:17.200> in<00:10:17.279> logic<00:10:17.680> simply<00:10:18.000> select
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this quickly in logic simply select
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this quickly in logic simply select
multiple<00:10:18.880> tracks<00:10:19.279> in<00:10:19.440> the<00:10:19.519> mixer<00:10:19.920> view<00:10:20.160> and
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multiple tracks in the mixer view and
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multiple tracks in the mixer view and
add<00:10:20.480> claro<00:10:20.880> to<00:10:21.040> one<00:10:21.200> of<00:10:21.360> them<00:10:21.839> how<00:10:22.079> to<00:10:22.160> do<00:10:22.320> this
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add claro to one of them how to do this
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add claro to one of them how to do this
in<00:10:22.640> other<00:10:22.800> doors<00:10:23.200> can<00:10:23.360> be<00:10:23.519> found<00:10:23.760> in<00:10:23.920> the
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in other doors can be found in the
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in other doors can be found in the
accompanying<00:10:24.720> user<00:10:25.040> manual
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the<00:10:27.760> channel<00:10:28.000> list<00:10:28.320> on<00:10:28.399> the<00:10:28.480> left<00:10:28.720> hand<00:10:29.040> side
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the channel list on the left hand side
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the channel list on the left hand side
is<00:10:29.600> all<00:10:29.760> the<00:10:30.000> channels<00:10:30.560> buses<00:10:31.200> and<00:10:31.600> effects
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is all the channels buses and effects
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is all the channels buses and effects
buses<00:10:32.240> i<00:10:32.320> have<00:10:32.480> assigned<00:10:32.880> claro<00:10:33.360> too
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buses i have assigned claro too
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buses i have assigned claro too
by<00:10:34.320> dragging<00:10:34.800> and<00:10:34.959> dropping<00:10:35.279> a<00:10:35.440> channel<00:10:35.760> or
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by dragging and dropping a channel or
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by dragging and dropping a channel or
bus<00:10:36.399> into<00:10:36.720> the<00:10:36.959> top<00:10:37.279> and<00:10:37.440> bottom<00:10:37.839> windows<00:10:38.240> on
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bus into the top and bottom windows on
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bus into the top and bottom windows on
the<00:10:38.480> right<00:10:38.880> i<00:10:39.040> can<00:10:39.279> directly<00:10:39.839> assess<00:10:40.240> their<00:10:40.480> eq
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the right i can directly assess their eq
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the right i can directly assess their eq
relationship
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relationship
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relationship
the<00:10:42.320> top<00:10:42.560> window<00:10:42.880> becomes<00:10:43.200> our<00:10:43.360> reference
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the top window becomes our reference
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the top window becomes our reference
track<00:10:44.240> which<00:10:44.560> also<00:10:44.880> can<00:10:45.040> be<00:10:45.200> selected<00:10:45.600> by
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track which also can be selected by
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track which also can be selected by
clicking<00:10:46.240> the<00:10:46.320> gold<00:10:46.640> stars<00:10:47.040> next<00:10:47.279> to<00:10:47.360> the
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clicking the gold stars next to the
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clicking the gold stars next to the
channel<00:10:47.839> or<00:10:48.000> bus<00:10:48.320> name<00:10:48.560> in<00:10:48.720> the<00:10:48.800> left<00:10:49.040> window
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channel or bus name in the left window
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channel or bus name in the left window
claro<00:10:50.640> will<00:10:50.880> highlight<00:10:51.279> clashing
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claro will highlight clashing
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claro will highlight clashing
frequencies<00:10:52.560> in<00:10:52.880> yellow<00:10:53.440> this<00:10:53.680> is
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frequencies in yellow this is
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frequencies in yellow this is
representing<00:10:54.480> where<00:10:54.800> frequency<00:10:55.360> overlaps<00:10:55.920> or
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representing where frequency overlaps or
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representing where frequency overlaps or
spectral<00:10:56.720> masking<00:10:57.200> is<00:10:57.360> occurring<00:10:58.160> and<00:10:58.240> will
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spectral masking is occurring and will
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spectral masking is occurring and will
help<00:10:58.640> us<00:10:58.720> make<00:10:58.959> informed<00:10:59.440> decisions<00:11:00.000> which
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help us make informed decisions which
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help us make informed decisions which
frequencies<00:11:00.880> to<00:11:01.040> cut<00:11:01.360> or<00:11:01.519> boost<00:11:01.920> on<00:11:02.079> that
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frequencies to cut or boost on that
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frequencies to cut or boost on that
channel<00:11:03.040> the<00:11:03.200> bottom<00:11:03.519> window<00:11:03.839> is<00:11:03.920> the<00:11:04.000> working
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channel the bottom window is the working
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channel the bottom window is the working
channel<00:11:04.720> and<00:11:04.800> the<00:11:04.959> one<00:11:05.120> we<00:11:05.279> want<00:11:05.519> to<00:11:05.760> process
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channel and the one we want to process
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channel and the one we want to process
in<00:11:06.399> more<00:11:06.720> detail<00:11:07.440> once<00:11:07.680> we've<00:11:07.920> spotted<00:11:08.399> any
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in more detail once we've spotted any
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in more detail once we've spotted any
masking<00:11:09.519> we<00:11:09.680> have<00:11:09.839> access<00:11:10.160> to<00:11:10.399> all<00:11:10.560> our
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masking we have access to all our
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masking we have access to all our
processing<00:11:11.279> tools<00:11:11.519> within<00:11:11.839> this<00:11:12.000> window<00:11:12.320> so
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processing tools within this window so
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processing tools within this window so
we<00:11:12.640> don't<00:11:12.880> need<00:11:13.040> to<00:11:13.200> leave<00:11:13.440> the<00:11:13.600> plugin<00:11:14.079> to
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we don't need to leave the plugin to
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we don't need to leave the plugin to
affect<00:11:14.640> changes<00:11:15.200> across<00:11:15.519> the<00:11:15.680> different
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affect changes across the different
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affect changes across the different
channels<00:11:16.720> now<00:11:16.959> not<00:11:17.200> all<00:11:17.360> masking<00:11:17.920> is<00:11:18.320> bad<00:11:18.800> it
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channels now not all masking is bad it
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channels now not all masking is bad it
can<00:11:19.200> be<00:11:19.360> used<00:11:19.519> to<00:11:19.680> impart<00:11:20.160> a<00:11:20.320> thickness<00:11:20.800> and<00:11:20.880> a
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can be used to impart a thickness and a
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can be used to impart a thickness and a
presence<00:11:21.600> to<00:11:21.760> your<00:11:22.000> track<00:11:22.480> which<00:11:22.720> is<00:11:22.800> why<00:11:22.959> the
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presence to your track which is why the
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presence to your track which is why the
plug-in<00:11:23.519> doesn't<00:11:23.839> automate<00:11:24.399> this<00:11:24.720> for<00:11:24.959> you
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plug-in doesn't automate this for you
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plug-in doesn't automate this for you
but<00:11:25.519> rather<00:11:25.920> leave<00:11:26.160> this<00:11:26.399> important<00:11:27.279> making
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but rather leave this important making
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but rather leave this important making
process<00:11:28.160> to<00:11:28.320> you<00:11:28.640> the<00:11:28.880> user<00:11:29.440> so<00:11:29.600> you<00:11:29.760> can
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process to you the user so you can
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process to you the user so you can
decide<00:11:30.320> what's<00:11:30.560> right<00:11:30.800> for<00:11:30.959> your<00:11:31.200> track
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decide what's right for your track
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decide what's right for your track
the<00:11:32.240> invert<00:11:32.560> eq<00:11:32.880> button<00:11:33.200> is<00:11:33.360> especially
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the invert eq button is especially
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the invert eq button is especially
useful<00:11:34.320> because<00:11:34.640> you<00:11:34.720> can<00:11:34.959> choose<00:11:35.279> to<00:11:35.440> cut<00:11:35.680> the
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useful because you can choose to cut the
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useful because you can choose to cut the
eq<00:11:36.320> on<00:11:36.480> one<00:11:36.720> channel<00:11:37.200> and<00:11:37.360> clari<00:11:37.760> will
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eq on one channel and clari will
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eq on one channel and clari will
automatically<00:11:38.880> boost<00:11:39.360> the<00:11:39.600> same<00:11:39.920> eq<00:11:40.320> band<00:11:40.720> on
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automatically boost the same eq band on
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automatically boost the same eq band on
another<00:11:41.279> channel<00:11:41.760> for<00:11:41.920> example<00:11:42.320> how<00:11:42.480> i've
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another channel for example how i've
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another channel for example how i've
done<00:11:42.880> with<00:11:43.040> the<00:11:43.200> keyboards<00:11:43.760> and<00:11:43.920> the<00:11:44.000> guitar
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done with the keyboards and the guitar
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done with the keyboards and the guitar
busses<00:11:44.800> here<00:11:45.040> to<00:11:45.200> try<00:11:45.360> and<00:11:45.519> create<00:11:45.760> them<00:11:46.000> some
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busses here to try and create them some
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busses here to try and create them some
separation<00:11:46.959> in<00:11:47.120> the<00:11:47.200> mid-range
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separation in the mid-range
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separation in the mid-range
[Music]
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this<00:12:10.160> will<00:12:10.320> save<00:12:10.639> you<00:12:10.880> loads<00:12:11.279> of<00:12:11.440> time
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this will save you loads of time
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this will save you loads of time
flipping<00:12:12.079> between<00:12:12.399> multiple<00:12:12.880> eq<00:12:13.200> windows<00:12:13.600> in
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flipping between multiple eq windows in
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flipping between multiple eq windows in
your<00:12:13.839> door
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your door
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your door
whether<00:12:15.279> you're<00:12:15.360> mixing<00:12:15.680> your<00:12:15.920> first<00:12:16.160> song<00:12:16.480> or
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whether you're mixing your first song or
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whether you're mixing your first song or
you're<00:12:16.800> a<00:12:16.959> seasoned<00:12:17.440> professional<00:12:18.240> caro<00:12:18.720> has
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you're a seasoned professional caro has
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you're a seasoned professional caro has
been<00:12:19.040> designed<00:12:19.440> to<00:12:19.600> bring<00:12:19.839> your<00:12:20.079> eq<00:12:20.480> workflow
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been designed to bring your eq workflow
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been designed to bring your eq workflow
into<00:12:21.440> one<00:12:21.680> plugin<00:12:22.320> to<00:12:22.480> speed<00:12:22.800> up<00:12:22.880> the<00:12:23.040> mixing
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into one plugin to speed up the mixing
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into one plugin to speed up the mixing
process<00:12:24.079> and<00:12:24.160> to<00:12:24.320> help<00:12:24.480> you<00:12:24.639> make<00:12:24.880> smart
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process and to help you make smart
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process and to help you make smart
informed<00:12:25.760> decisions<00:12:26.320> along<00:12:26.639> the<00:12:26.800> way<00:12:27.440> so<00:12:27.680> give
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informed decisions along the way so give
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informed decisions along the way so give
claro<00:12:28.320> a<00:12:28.399> try<00:12:28.720> today<00:12:29.120> for<00:12:29.360> free<00:12:29.839> with<00:12:30.079> a<00:12:30.240> 15-day
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claro a try today for free with a 15-day
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claro a try today for free with a 15-day
trial<00:12:31.120> over<00:12:31.440> at<00:12:31.600> sonox.com<00:12:32.639> and<00:12:32.800> join<00:12:33.120> the<00:12:33.200> eq
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trial over at sonox.com and join the eq
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trial over at sonox.com and join the eq
revolution<00:12:34.560> i've<00:12:34.720> been<00:12:34.959> at<00:12:35.120> dawn<00:12:35.360> and<00:12:35.519> on
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revolution i've been at dawn and on
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revolution i've been at dawn and on
behalf<00:12:36.000> of<00:12:36.160> sonnox<00:12:36.639> thanks<00:12:36.880> for<00:12:37.040> watching